Senior officer Otso Kontio has finally hung up his gun and badge and is spending his peaceful retiment days at his cabin. The peace is broken when his old partner Auni Parmas brings news about the destruction threatening the municipality of Valkeakoski.

The director Lauri Nurkse tells that Veijarit is a film about "arjensietokyvyttömyys" (= inability to tolerate everyday life) and about the Peter Pan complex. The main actor Mikko Leppilampi says it's about "kolkyttoistavuotiaat" (= thirtyeenagers = people of thirty behaving like teenagers). An immediate reference point is the commedia all'italiana of the 1950s and the 1960s, the black comedy often exposing the infantile stage of development of the Italian male. Saku and Ässä are anti-heroes, but we never fail to sense the humanity behind their shallow and crazy ways. Veijarit is a satire and a parody of a superficial way of life, but there is a vitality in the protagonists that we feel can lead them to a more meaningful stage of existence after the prolonged youth full of sound and fury. There is a motif of transcendence in the imagery of flying: will the balloons carry me or will they burst.

Pete loses his consciousness while playing in a pop band. The diagnosis is harsh and the doctor cannot say for sure whether Pete will celebrate his 18th birthday. One night, encouraged by the vodka on Jusa's 18th birthday, Pete confesses his love to Kata, his dream girl. Together with Jusa, they go to Lapland where Kata has her summer job. In Jusa's wild company, Pete experiences something which he never felt before as they decide to take a trip to Mombasa via Lapland.