A man sees a poster of an old movie that he claims to have acted in

After the death of her father, Maria travels to Berlin to visit her elder sister Helena, a dancer, who she hasn't seen for years. However, when she arrives in Berlin she finds out that Helena has quit dancing and now works as a croupier in an illegal gambling club. As the two sisters' relationship gradually becomes closer, Maria must draw Helena away from the underworld and help her overcome her dangerous addiction to gambling.

Four women, who have been sterilized and are under constant toxic restraint and surveillance, are serving their term in a government-run brothel. The relations between them are at a critical point; food and water are scarce, their house is rotting and ready to collapse. Nothing on the outside exists any more. Nightmarish visions, simulated miscarriages, injections and nausea all make up their daily routine. Yet their dream – even though they have been sterilized by the State – is to have a child. One day, one of their customers disappears. The interrogation begins...

Constantina Voulgaris’s first feature film is a delightful anomaly in contemporary cinema, sort of like a Cat Power song. Raw, earnest, melancholy, awkward in parts, razor sharp in others, it's lyrical, yet with an undercutting touch of offbeat humor. And more than anything it's unapologetically a girl's bedroom song, an utterly sincere home movie. Made with the ever-generous currency of a cast and crew of friends, and the ample downtime that Greek summer-in-the-city affords, when everybody else is sunning and hooking up out in the islands, it's a film about two exiles -- in Athens, in summer, in love. A sentimental dance between a girl and a boy who could be stuck in downtown any-ville, yearning to be with each other but too cool to dare, too chicken to admit it, too clumsy not to step on each other's Doc Martens, and too damn sentimental not to surrender, in the end, to that old-fashioned thing called love.

1654, Ottoman Empire, Greece. A Turkish Warrior arrives heavily wounded at a remote Christian female monastery and is nursed by Anthi, a young nun under the oath of silence. They fall in love against all odds. But Anthi is tormented by a dark secret. The two lovers escape in the nearby forest, where Anthi's secret is revealed.

At the time of the Greek junta, in an isolated army camp, a lieutenant forces a soldier to teach him the tango in order to ask the wife of his Colonel to dance with him.

Man (Gianis Aggelakas), a mysterious man of the underworld, small time grifter and big time hard-man, who has an anarchic tendency to mumble and comment on the system, society, police, the underworld itself and other things, along with his beloved bird, Bellafonte, meets up with an odd posse consisting of kid, who is a young songwriter, a prostitute who gathers money in order to open a bookstore, an alcoholic girl haunted by the relationship with her dead mother, and the grudgey bar-woman-ex-girlfriend. The five of them get caught up in a scheme involving the media, the mob, politicians and the police. And they definitely want to get the hell out of the city, probably to some Caribbean paradise.

Inspired by the real-life story of a bus hijacking in Northern Greece, HOSTAGE explores the sensitive issue of Greek-Albanian relations through a young Albanian who takes over an intercity bus. Upon hijacking the bus, he takes the seven passengers hostage and demands a ransom of half and million euro, and safe passage to his homeland of Albania. Surrounded by police, the bus trundles towards the Albanian border and the tension mounts until the final harrowing conclusion.