Mr. Imbruttito, a leading executive of a large multinational, lives the routine in his hectic Milan. Breaking this balance is Brusini, an eccentric entrepreneur at the head of an economic empire, who for an absurd reason blows up what for the Brutito is the business of life. For the first time, the Ugly one feels the pinch, falls into depression, can no longer find a reason to wake up in the morning. The turning point comes from Brera, a longtime friend, who proposes to the Bruttito the purchase of a Chiringuito in Sardinia, to do business in flip-flops and finally be able to say: "I quit everything and open a chiringuito!"

The country is under lockdown. Covid-19 has decimated the patients of the Retirement Homes. In one of them two stories flow parallel through the empty corridors. Alfredo, the medical director, must face the inspection of the inflexible inspector, Viola, to whom he must account for the anti Covid measures adopted. Meanwhile Georg, an elegant and light-hearted guest of foreign origins apparently heedless of any health precautions, uses all his talents to win the heart of a new patient, Alida, who, who resists advances with less and less firmness. The two plots will inevitably intertwine. But nothing is as it seems.

The film tells the story of a couple who, desperately looking for a child, go to Spain to place themselves in the hands of a clinic specializing in assisted reproduction. Their plans will be turned upside down by meeting a seemingly perfect young girl who will offer to carry on the pregnancy for them.