Ciro Galindo was born on August 29th, 1952 in Colombia. Wherever he's gone, war has found him. After twenty years of friendship, I understood Ciro 's life sums up Colombia's history. As so many Colombians he is a survivor, who has run away from war for more than sixty years, and now dreams of living in peace. "Ciro and Me" is a journey to memory, seeking to give sorrow words; a journey, similar to that of Colombia in times of peace, in search to recover its dignity.

In a family party that is respected, good music, fun, love, drinks and why not, even a dead person should never be lacking. The Matayana family will experience a rumba on the birthday of the head of the household, Doña Matilde, until they realize that an inheritance is at stake.

Pastor's wife Veronica has become ill in bed, so he decides to sell his musical instrument secretly in order to buy the medicines she needs. After he sells it, Pastor arrives at home heartbroken, but he finds his wife in a better health condition. Veronica asks Pastor to play her a song with the instrument, so he will do what it takes to get it back.

Like every day, Alicia takes her son to school. Michael, a teenager overwhelmed by his mother's protection, knows that he can't do much. She is determined to prevent him from being recruited by gangs that spread terror in neighborhoods with invisible borders where every step taken has to be calculated. This is the story of Alicia, the day her son doesn't return from school, and of Michael, the day his miscalculated steps lead them both to the abyss.

After his wife's death, a vallenato singer from Majagual, Sucre, decides to quit music and return his allegedly cursed accordion to his master. He is joined by Fermín Morales, a teenage boy who admires him and wishes to follow his footsteps. Together, they start a journey throughout several towns in Northern Colombia to Taroa, in La Guajira desert, where the singer's master supposedly lives.

Matías, a 10-year-old boy, runs away from home in a rage and ends up getting on a bus to anywhere, until he is found by Rogelio, a 40-year-old man who works as a restaurant clown.

A Matter of Land recounts the first year of application of Colombian's Land Restitution Act from the perspective of a community who decide to engage with the process. The film explores the tensions that arise when such communities come face to face with the complex institutions responsible for enforcing the law. The result of these tensions is a narrative worthy of Kafka, in which a doorway to justice is opened for the sole purpose of demonstrating that no one can pass through it.

For Rosa, a peasant woman rooted in rural life, learning to drive a car at 55 years old is somewhat complex, but now it is hard to start but where to go.

Vítor is a hermit who desperately searches for a cow that has disappeared from his small farm. He suspects a neighbor with whom he has had problems. When Ricardo, his 12-year-old grandson arrives at the place, the ghosts of Vítor's childhood begin to appear, which confuses the past with the present. Vitor finally must face this terrible ghost when he was a child.

Armando Pulido, a construction master, simple, good-hearted, hard-working, industrious, and a good friend, tired of the serious economic crisis in Colombia, decides to go to New York in search of the so-called "American dream".