There are issues of spirituality, morality, love and loyalty in the center of the dramatic story that took place in one of the villages around Baku.

After the novel of the same name of Yusif Samadoghlu. The film is about three intervals in time: the distant past, yesterday and today, about innocent victims, about repression, and conquest of different countries.

The events occur during the Nagorno-Karabakh War. Because of a corpse in a zinc coffin with an arguable address, two families get excited. Having cut the lid off the coffin to identify the soldier, they find out that he is, in fact, Armenian - former citizen of Baku.

The movie tells about the tragedy of miserable people who turned to dogs. A group of people who desperately seeks for a job is abducted and forced to labor like slaves.

The film is about war in Garabagh and when we look at wounded solider we see our son, brother or father.

The film tells a story about non-democratic and non-legal social events in the country of Azerbaijan.

One steppe man is living far from the cities closely communicating with the nature. His father teaches him all wisdom of the steppe life. After his father’s death he meets a young woman, who comes from the village. Meeting her is a new page in his life and a huge step into the big and unfamiliar life ahead...

A father about to die remains silent. Everyone is tortured by his silence. His sons accuise themselves or rather, accuse each other. The closest relatives feel like strangers in their own family. The father understands that he is the reason for the family drama. When he was young, he was attracted by wrong ideas and committed a sin for which fate now punishes him.

The film is about people who don't like national traditions and being Azerbaijani after returning from Europe.

During the late 1980s and early 1990s the Armenian minority in Nagorono-Karabakh attempted to break away from Azerbaijan, one of the former Soviet republics. Overnight these former neighbors became enemies, and simple village folk were suddenly made hostages in a complex power game. One of the Azerbaijani villages right on the border is home to the family of the peasant farmer Kerim, who has just been captured by the Armenians. The village council decides to take an Armenian in order to arrange a hostage exchange. They imprison the wounded man in the barn next to Kerim's house, where his wife and three children desperately await the husband's return. The captive from the other side of the border finds himself in exactly the same situation - he, too, has three children, he finds it hard to scrape a living together, he has never done anything to harm anyone and, like Kerim, he just wants to go back home. But life in Karabakh is far more complex now. Blood calls for blood.

The film tells the story of a man, who was in prison when the invaders occupied his native land. When he gets out from prison, he tries to find ways to visit his parents’ graves, which are located on the occupied lands now.

At the request of his colleague, the young lawyer goes to the courtroom to replace her, but he mixes up the rooms and ends up defending a brutal criminal. The following is a catastrophe.

Not looking that a film is told about personal human fortunes here in the foreground there are the most noble raised human lines.