A 50-year-old playwright (Jesus Puente) bemoans his fate from his secluded home in Northern Spain in this depressing drama. Side plots include an actress and former acquaintance who comes to visit and his amorous diversions with a 20-year-old local woman.

Jose, a journalist and radio broadcaster, runs a daily program under the title 'Alone in the wee hours' ('Solos en la madrugada'), which has garnered a huge national audience as a satirical chronicle of Spanish society in the democratic transition of the late 1970s. Married and separated from Elena, Jose has two children, whom he only sees from time to time. Then he meets Maite, younger than him, outgoing and more open-minded than he wants. The emotional shock caused by his relationship with these two women will change his pessimistic view of life.

A Nobel prize winner returns to his natal city looking for his home.

An ex-convict, troubled by dreams that he strangles women, is hired as the caretaker on an estate owned by three very strange sisters. Soon after his arrival, a serial killer begins slaughtering blonde, blue-eyed women - and leaving their eyeballs in a bowl of water.

After his son dies, an elderly man comes back to Spain from the US and hopes to find out which of his granddaughters is true, and which one is bastard.

Lola Reyes is a singer who is succeeding and, therefore, is besieged by everyone. A group of homosexuals are the only ones authorized by his possessive mother to be her friends. Lola falls for a painter, and he falls for her, so her gay gang make him pose as one of them for the mother to authorize the friendship.

Vicenta Verruguillo came to Madrid to work as a bridesmaid in the house of a doctor and falls in love with his son. The boy, to keep his family is left without service, follow the advice of his father and pretends to be in love with her. Meanwhile, his cousin Manolo, a likeable rogue, who works as a nurse, several maids dupes that get her salary every month because he has promised to buy a flat before marrying them.

After a drug-fueled night of violence, a group of young degenerates and their hostages find themselves stranded in a remote, abandoned church in rural Spain. Their evening of debauchery and blasphemy quickly turns to greed when they discover a local legend that tells of a vast fortune guarded by mummies in the catacombs beneath the ruins. Their lust for the treasure is short-lived as they find that the supernatural horror in the catacombs is something further than fear… it is Beyond Terror!

Edward Sacchi is a wealthy and apparently content married man but underneath he is driven by a desire to seduce and discard women. One of his conquests, Lucy, falls in love with him and when spurned, commits suicide. Edward is shocked but continues as before. Each of his lovers are subsequently murdered and he is arrested. However, his wife saves him by arranging an appointment with the real killer...

Ana, a girl who is about to get married, discovers in her boyfriend's house a photograph in which her mother, dead at birth, and her future father-in-law appear in a very affectionate way.

While conducting interviews with women working in local brothels, Fernando, a journalist, meets Elisa. The woman will tell him her dramatic story, which begins at age 14 when she is raped by her godfather.

Several stories about marriages that receive the news that they will be parents. Alejandro and Mercedes are newly married and receive the news with enthusiasm; Margarita and Enrique have been married for a while, but it will also be their first offspring; Ines and Luis have been in this situation several times, but this is the first time that the pregnancy is real. The reaction of the parents, the cravings of the pregnant women, the name search for the child, everything is always the same and always different. None of the couples resembles the others, but when the moment of delivery arrives, the nerves will be the same.

After getting married in a church in Madrid, four couples, who have already left behind the anxiety of the chaotic wedding preparations, face the joys and disappointments of the honeymoon trip.

Susana is a girl that is sent to work to a small coast village in the south of Spain. The women in the villages receive her with a cold shoulder. Susana finds out that they are resentful towards their husbands: before, they used to fish close to home and now they fish far away for months and months. Susana will give the women some lessons about living together, so the men would consider going back to old ways. This will make her fall in love again.

Elena is pregnant and Carlos, the future father does not have financial means to marry her. The solution is in a game show that offers substantial rewards to those who can correctly answer questions about the forties. Patricia, Elena's older sister, mobilizes the whole family. Carlos will undergo an intensive study plan.

Luisa's daughter attempted suicide. While attending the clinic and, contemplating the state of his daughter, Luisa recalls the early happy years of her marriage to Pedro, a popular and friendly sports journalist. Soon after came the first deception of her husband.

Joseph and Helen, who had been boyfriends, there meeting some years later and fall madly in love again, but now the two are married. His hard and clandestine love story addition is determined by the circumstances of the times in which they have lived: the last years of the Franco regime and the beginning of the transition.

A story about a little boy who grows a pair of wings on his back, giving him the appearance of an angel. The boy draws the attention of his community including doctors, scientists and schoolmates. The wings are surgically removed but eventually they grow back.

Drama based on the true life of a group of middle class and members of the Communist Party of Spain, who were involved in clandestine political activities during the sixties.

Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.

A young man, son and grandson of soldiers, refuses to perform military service, causing a commotion in the whole family. Finally, social, environmental and family pressures, will force the young to make a decision that will have unforeseeable consequences.