In this belated sequel to 'The Decline of the American Empire', middle-aged Montreal college professor, Remy, learns that he is dying of liver cancer. His ex-wife, Louise, asks their estranged son, Sebastian, a successful businessman living in London, to come home. Sebastian makes the impossible happen, using his contacts and disrupting the Canadian healthcare system in every way possible to help his father fight his terminal illness to the bitter end, while reuniting some of Remy's old friends, including Pierre, Alain, Dominique, Diane, and Claude, who return to see their friend before he passes on.

It all begins in the early 60s, in a slum just outside Paris inhabited by Algerian immigrants. Malika is 5, and her mum has just bought her a brand-new pair of sandals. They're so white that the little girl can't keep her eyes off them, and doesn't see the reversing truck. Then begin years of hospital, operations, suffering and struggle. Years far from her family, during which the little Muslim girl, in the hands of Catholic nurses and nuns, discovers music and singing at mass. From that point on, fighting the racism of French society as well as the enduring prejudices of her own community, Malika follows her dream and moves mountains to become the woman everyone will one day call "the diva of the ghetto".

Thirty year old Alexander is a budding film-maker. One night he wakes and is stunned to find he is being filmed by the very same camera that enables us to see his every move. In bed beside him, his girl-friend, Emeline, appears blissfully unaware of what is happening to him. He begins to realise that he is trapped inside a film, a delusion that seems to embody his obsession with film-making. From now on, he battles, body and soul, to set himself free.