A short experimental-documentary film which in the form of a film journal examines the tensions in the transformations of the world around us. The broadly shot walls are the leitmotif of the film, still cracked versus the monochromely smooth and strikingly colourful new walls. The concrete (identifiable) transforms into the abstract (unidentifiable).
Nothing More consists in the contrast between the abstract and the concrete, the permanent and the moments that are there for a split second and perhaps for eternity… Anyhow, in what way are films similar to poems?
