A quarter century after the release of the original film, this sequel brings us a drama about platonic love, life retrospective and memories. Former schoolmates meet again in the mountains and it turns out they have not changed much. Even though so many years have passed, we can still see the souls of boys and girls we know from the teenage comedy Snowdrops and Aces; kids who participated in that legendary skiing course. Its nostalgic humour gives the film a bitter-sweet touch. Thawing Out follows the lives of the main heroes during a period of great changes. How did they manage to escape the traps and what scars have they suffered? Where did they want to go, how far have they got and what is still in front of them?

Carefree young nurse Marta learns upon her husband's death that he was involved in all manner of criminal activity, which puts her life in danger.

In his feature debut, Dneska přišel nový kluk (A New Boy Started Today) from 1981, the director Vladimír Drha set the tone for a number of Czech films, which critically depicted the state of society from the perspective of young protagonists. Although, Drha primarily found scope for his work in television, he returned to the world of a “working youth” in his second film Mezek (The Mulish Victor, 1985) – albeit following him from the point of view of an educator. NFA.CZ

Taxi driver Koukal (Miroslav Machácek) is stopped by the police for a routine traffic check. In the boot of his car the police find the body of a naked man. Koukal is arrested even though he claims he knows nothing about it. The case is assigned to Major Mlynár (Milan Sandhaus). The police identify the corpse as that of an Austrian citizen called Mitrik. Koukal has been regularly driving people interested in gambling to a secret gaming den. The police are put onto the gambling den by another taxi driver, who admits that he drove Mitrik there. Mlynár and officer cadet Pecka (Ivan Vyskocil) feign interest in gambling and visit the gaming den incognito.

Wandering through the forest, a woodcutter finds a golden fern whose seed turns into a beautiful woman - they fall in love. After getting drunk in a village feast, he gets to sign up to the army. The fairy gives him a shirt to wear and asks him to swear he will never abandon it. At the war front, he falls in love with the the colonel's daughter and will have to perform various feats to get her attention.

Several parties—a prostitute, aging football players, working girls, two men playing pool, and a hedonistic young man—each coalesce in a tavern.

A musician and his girlfriend visit an old musician friend of his and his family.

A manifesto of sorts for the Czech New Wave, this five-part anthology shows off the breadth of expression and the versatility of the movement’s directors. Based on stories by the legendary writer Bohumil Hrabal, the shorts range from the surreally chilling to the caustically observant to the casually romantic, but all have a cutting, wily view of the world.

The Karpísek married couple, both doctors, are leaving for London for two months on business. They entrust their five-year old son Jozánek to the care of their neighbor, Mrs Pokorná.

An escaped inmate of a mental home, Franz Moose, has been found shot dead in the forest. In the course of their investigation, District Commander Havel (Jirí Adamíra) and Lieutenant Mares (Miroslav Zounar) slowly work their way through the complicated case. Havel learns from the employees' testimonies that Moose was facing trial for war crimes before he was finally sent to the hospital. There he shared his room with Kozdera, spent his time painting, and made several attempts to escape. Havel wants to interrogate Kozdera but the unfortunate patient gets killed before he can do so.

Three short stories ("Zelenáči 1945", "Silvestr 1948" and "Zimní vítr 1951") about members of the SNB units guarding the Šumava border in the post-war years. Ivo Toman had artistic supervision over the debutants. The theme of the third short story was made in 1959 for the film "Entry Forbidden" by František Vláčil, who was also starting at the time.

Angelika, a ten years old daughter of a spa visitor Bachmann is terribly bored in Karlovy Vary spa. Her father enjoys different spa procedures, trying to lose some weight, but the little girl feels to be only waiting for something to enjoy. Moreover, she cannot speak any Czech unlike her father. Kája, a son of the hotel receptionist Vlasta, attempts to amuse her despite he cannot speak German. Both children make friends although there is the language barrier.

A fifteen years old Jana escapes summer camp wearing nothing but bikini...

Adolf (Miloš Kopecký), the irresistible seducer of women, is fond of Janicka (Hana Lelitová), a novice opera singer. The girl, however, prefers famous men and Adolf thus does not have a single chance with her. One day in a hospital, he meets a Greek partisan named Apostolek (Pavel Landovský) who impresses him with his spontaneity and ease in solving all problems, especially those with women. Adolf has an idea for a revenge. He makes Apostolek familiar with social manners, dresses him after the latest fashion and introduces him to Janicka as a Greek conductor. Janicka instantly falls in love with the made-up composer and Apostolek does no better.

Her mother dead, 18-year-old Vladka travels to a remote village in the dead of winter to find the father she has never met. The happiness of their initial meeting gives way to the daughter’s disappointment and concern over the hardworking man’s alcoholism.

The Stolen Airship (Czech: Ukradená vzducholod) is a 1967 live-action/animated film by Czech filmmaker Karel Zeman. The story is based loosely on Jules Verne's novels Two Years' Vacation and The Mysterious Island. The film in Art Nouveau style consists of live-action scenes, generally shot in black and white, as well as hand-drawn, stop motion, and cutout animation. Various live-action and animated elements are often composited into the same scene.