Satirical take on the reactions of the inhabitants of an Irish village when they learn that a group of thirty asylum seekers is to be relocated to their village.
Death is training his son in the art and responsibilities of the family business. His son does well until he's sent out on his own to claim an accident victim. Instead, he's asked by a friend of the dying man to help with CPR. Taken aback, he assents, the dying man is resuscitated, and Death's son is in the doghouse with dad. Enraged, pop gives his son 24 hours to deliver a corpse, so the young man sets out to ice the man who asked him for help earlier that day. Junior's target is a young actor, Tom, going through opening night and loved by Sarah, a rather histrionic young woman. A near-Death experience awaits them all as Junior comes of age.
Dublin; June 16, 1904. Stephen Dedalus, who fancies himself as a poet, embarks on a day of wandering about the city during which he finds friendship and a father figure in Leopold Bloom, a middle-aged Jew. Meanwhile, Bloom's day, illuminated by a funeral and an evening of drinking and revelry that stirs paternal feelings toward Stephen, ends with a rapprochement with Molly, his earthy wife.
Newly widowed Frank Fogle embarks on a journey to Ireland to scatter his late wife’s ashes. His estranged son, Sean, recently released from prison, agrees to join only when his father promises that they’ll never see each other again following the trip. After revelations surface about an old flame of Frank’s wife and a charming hitchhiker with plans of her own intervenes, father and son find themselves drawn together in unexpected ways.
Roy and Martyn want to write the next Irish winner for the Eurovision Song Contest. So who thinks they are working for British Army Intelligence? And why has someone sent them two bullets through the post?
