Two people have a one-night stand.

Madam Kum is a well-known dance hall girl. She gave birth to her daughter Yin-fan. Kum gave her to some relatives. Nineteen years go by, and Kum accidentally runs into Fan's husband, Man-fai, in Singapore. She tells him everything. Fai is surprised but accepts the truth. They have a talk and agree not to reveal the truth to Fan. However, Fai promises Kum that he will arrange for her to see Fan. Gum starts to see Fan on public occasions. Bing-chiu, who has been chasing after Fan since college, runs into Fai and Kum. He tells Fan about it. Fan goes to Kum to ask her not to destroy her family. Kum is hurt but still does tell her the truth. She decides to returns to Singapore. She goes to Fan's house to see her once more. Fan is having her birthday party. She insults Kum and throws a glass of wine in her face. Fai cannot stand it anymore and tells his wife who Kum really is. Fan feels guilty. All the others are moved by what Kum has suffered and they start to accept her.

Poor teacher Chan Chi-hong, his wife Lee Yuk-mei and their five children survive on his meagre pay. When he is laid off by two schools in a row, the family runs into difficulties. The children resort to begging on the streets to pay the mother's medical bills. Turning to writing, Chan's novel fails to find a publisher and, worse still, he comes down with tuberculosis. Dealt a further blow by the death of the youngest daughter and the pressures from the loan sharks, Chan contemplates killing himself and his family but changes his mind when he witnesses the sacrifices made by other parents for their children. He vows to be a dutiful father and tries his best to overcome their adversities. His novel is finally published and sells well. Through thick and thin, the family at last sees the light at the end of the tunnel.

In order to bring about the return of a prodigal son, Hoi Yau-lung asks his fiancee Fa Sau-lan to administer 'the beauty ruse' to trick his cousin Wan Kam-cheung into squandering all his money. When Wan is reduced to penury, he encounters his wife Suk-ching and learns from her the whole story. Wan realises his faults and resolves to turn over a new leaf.

Though her marriage with rich businessman Chan Hak-lit is crumbling, Anna Poon refuses to accept her childhood sweetheart Wong Kei-shu's courtship. Anna's younger sister Mei-na has a crush on Shu and treats Lee Man coldly. When she sees Anna being with Shu, she taunts Anna with stealing who she likes. Anna is hurt and goes back to Chan's house. Chan holds a house party and invites business celebrities. Shu attends it and when tells Anna he loves her when they dance. Anna rejects him and tells him never to see her again. Chan goes to the racecourse. When Shu falls down from a horse, Anna faints. Chan asks Anna what her relationship with Shu is. He warns her not to have any wrongdoing and ruin his reputation. Shu is fine and asks Anna to meet for the last time. Anna cannot turn down him and goes to meets him. Lit miscomprehends the situation and files a divorce. He even forbids Anna to see their daughter. A distressed Anna becomes a victim of love in a conservative society.

The film tells the story of fishermen in a fishing village in the South China Sea, who have suffered from exploitation by Yan Jianping, the owner of the lucrative fish pens, who has driven down fish prices.

During the anti-Japanese war, truck driver Lee Sing's secret mission is to transport weapons and supplies for the resistance fighters. Sing has to deliver a signal gun to guerrillas at ten on that night for launching an attack against the Japanese soldiers. He works for the Ko's family and he has to send the gun to the provincial city to prevent it from being bombed. Sing carries on his vehicle a group of passengers including a Chinese traitor, a guerilla, a compassionate nurse, a comfort woman on the run, a teacher and his pregnant wife. Sing is given a hard time by the Japanese troops on the road. The Japanese ransack the vehicle and they find the signal gun. All the males on board are being interrogated with torture, but the passengers pool their efforts to subdue the traitor and accomplish their mission.

HK horror film.

HK horror film.

HK mystery film.

Mr. Wong and his students take shelter in a house during a storm, where the caretaker, Uncle Fook, tells a ghost story. Long ago, cousins Bai Yunfeng and Bai Deqing rescued a singer, Qin Chuxiang. Both loved her, but Chuxiang only loved Yunfeng. Deqing, jealous, convinced Yunfeng’s father, Bai Yinzong, to break up the couple by arranging Yunfeng’s marriage to a cousin. However, Chuxiang was pregnant, so the Emperor agreed to their marriage. On the wedding day, Chuxiang’s mother revealed that she and Yunfeng were siblings. Deqing then bribed locals to accuse them of incest, and they were nearly drowned. Mr. Wong’s group realizes Yunfeng and Chuxiang survived and had pretended to be ghosts for years. Yinzong exposes Deqing’s plot, and Yunfeng and Chuxiang finally marry.

A boy is obsessed with the comic book hero Zhong Kui, an eccentric ghost catcher armed with a magic sword and sack. When his mother and younger sister are abducted by demons, the boy decides to seek help from Zhong to fight against vampires and revenants, zombies and goblins. Taking advantage of such special effects as freeze-frame and step-printing, The Ghost Catcher is a spectacular visual adventure.

Hong Kong horror movie from 1963.

Hong Kong horror movie from 1939.

Hong Kong horror movie from 1947.

A pair of twin sisters, very different in character , with the younger sister being involved with multiple men, but the older sister being a virtuous character. When the sister dies violently, her husband sees the younger sister returning to the house on the night of her return, but eventually realizes that it was just a false alarm.

Hong Kong horror movie from 1941.

A man and his wife, who worked as a teacher, were framed and the man died in a fire, while the woman was forced to throw herself into a well. After his death, the teacher's spirit is still alive and he turns into a horrible corpse, hiding in an old house and appearing on stormy nights, giving people the chills. The corpse has been waiting for revenge for 20 years and finally kills the original murderer.

Drama from Hong Kong directed by Wong Toi.

Drama from Hong Kong directed by Ng Wui

Comedy from Hong Kong directed by Yeung Kung-Leung.

Drama from Hong Kong directed by Ng Wui.

Ko Suk-ying is saddened over her arranged marriage as manipulated by her father Hak-ming. Ko Kok-sun's Cousin Chow Wai's spends the Mid-Autumn Festival before her marriage with the Kos. She has been in love with Sun. Sun finds out about her love for him when she is about to be married off, he is too weak to oppose to Wai's betrothal to another man. Sun's son, Hoi-sun, falls ill. Fearing the displeasure of his elders, Sun dares not consult a western doctor. Meanwhile, another dispute arises among members of the family over the ancestral land. When accused of being incompetent in his management, Sun takes the blame silently. Wai dies of grief while Hoi-sun becomes a victim of mistreatment. Sun is devastated at this double blow. Hak-ming instructs Sun to arrange for Ying's wedding. Knowing the kind of man Ying's fiancee is, Sun is reluctant. Not wanting to follow in Wai's footsteps, Ying fights for her own rights, and backed by an enlightened Sun, she leaves for a new start.

Drama from Hong Kong directed by Chu Kei.

Everything Goes Wrong for the Poor Couple

Yung (Ng Cho-fan) is an upper-class kid who has fallen from grace. He forms a warped relationship with a rich widow (Pak Yin), only to meet again his wife (Siu Yin Fei) with whom he’s lost touch during the war. The fateful affair eventually opens up a Pandora’s box, turning jealousy, betrayal and selfishness into fatal outcomes.

A ghost tale very strongly inspired by Hitchcock's Vertigo.

A delicious comedy from Union Film, Money, traces the journey of a bag of cash from a bank robbery. The humour switches between the witty and the absurd, offering a biting examination of human nature when men and women are confronted with the chance of unearned wealth.

A prodigal son is married to a woman his mother dislikes. The wife is then expelled from the family circle and forced to become independent.

The movie is a horror movie with a deep moral. A number of ghosts appear in the movie, including a ghost that escaped from the Ghost Gate, an unjust ghost released from the City of Wasted Death, a sleazy ghost trapped in the Beauty Gate and a living hangman's neck.

Drama / thriller from Sanxing Film Company.

Hong Kong ghost movie set during wartime. Not to be confused with the South Korean film of the same name from the previous year.

Married and with a son on the way, Zhang takes shelter in a big old house haunted by a ghostly female vampire.

Lau Mung-mui chances on To Lai-leung and their encounter transcends to a rendezvous in their dreams. They admire each other, but they do not know each other's names and addresses. They keep on thinking of each other and decide to take each other as their future husband and wife. Mui's father wants his son to get married, but he pays no attention to his father's wishes. Mui leaves home to look for Leung. Leung's father forces his daughter to marry her rich and powerful cousin. Leung becomes despondent and dies, following an arranged marriage with her cousin. Mui sought everywhere for Leung for three years, but to no avail. He locates the home of Leung, but the household has moved out. The house is guarded by an old servant. Mui, chasing Leung's spirit, has a brief romance with her. Acknowledging that their union will be hindered by their incompatibility as a mortal and a spirit, Leung reincarnates as a mortal so that their love may be rekindled.

After seeing a friend of his boss' son adopted over his promised promotion with connections, Shrimp's father, a minor white-collar worker Ng Kwun-sing, vows to get Shrimp a place in a prestigious school and a chance to make friends with the rich. However, Shrimpy is constantly bullied and discriminated against by his classmates. Ng has not the means to be a social climber and finally realises his mistake. He sends his son to a voluntary school so that he may grow up happily. This poignant father-son drama shows a parents' willingness to carve out a good future for their children by any means necessary.

The Thunderstorm is a 1957 Hong Kong drama film directed by Ng Wui and starring Bruce Lee based on the play Thunderstorm by Chinese dramatist Cao Yu.

A Hong Kong historical drama

When a young street thug becomes friends with the headmaster of a school, he gives up the triad life to enroll in the school.

13-year old Bruce Lee plays San, a child up for adoption. Finally accepted by his surrogate parents, he is faced with a dilemma when his real parents show up and want him back.

Cold Nights features great performances by both Pak Yin as a tough minded “new woman”, Shusheng, and Ng Cho-fan as her weak husband, Wang Wenxuan, whose spirits have been crushed by the Sino-Japanese war.

The first movie adaptation of Jin Yong's novel.

"Red and White Azaleas" (alias "重訂今生未了緣"), a Hong Kong film produced by the Red and White Film Company, was released in 1951.

Lee Sun-fung is renowned for adapting literary classics for the silver screen. To commemorate the seventh anniversary of the Union Film Enterprise known for producing quality films and co-founded by Lee, Human Relationships is adapted from writer Ba Jin's novel into film. The Yiu family moves into a manor. Mrs Yiu, while frustrated by the way her step-son is spoiled by her husband and mother-in-law, develops a friendship with a kid (Michael Lai) who steals flowers from the mansion's garden. She later learns that he is the son of the place's former owner whose downfall at middle age is the result of being spoiled when young. Lai was only a child but gained a foothold among seasoned veterans like Cheung Wood-yau, Ng Cho-fan and Pak Yin.

My Loyal & Faithful Dog

In this deeply moving tale, a wealthy young man, Tak (Pak Wan), falls in love with his aunt’s servant, Ling (Pak Yin). However, their relationship is cut short by the stark difference in their social statuses. Unbeknownst to Tak, Ling becomes pregnant and is cruelly cast out of her employer’s household, facing the stigma of unmarried motherhood. Tragedy soon follows as her child suffers from an acute illness, forcing Ling into prostitution to survive. Her plight worsens when she is falsely accused of murdering a client who has, in fact, committed suicide. When Tak, now a lawyer, learns of her suffering, he returns to seek justice for her.

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