Polish film and music icon Kalina Jedrusik, a scandalous free-spirited sex symbol, fights for her independence in the prude society of the 1960s.

Fed up with pandemics, quarantines and news about ecological disasters, worried about their own uncertain future and the fate of the world, a group of high school students are invited by Kamil, a millionaire's son, to a party at his father's seaside residance.

During World War II, a Polish food server at a luxury German hotel tempts fate as he romances local women while hiding his Jewish identity.

Weronika and Łukasz – a would-be bride and groom from the first film – decide to give themselves a second chance and invite their family to the wedding and the reception, which will take place in a seaside town. Among the invited guests, the viewers will recognise well-known characters, including: Wanda and Tadeusz with their dog, Mirelka, and also a divorcee, Małgorzata, accompanied by… her much younger partner, Jan , and her mother. The sea, drinks and nude sunbathers make the family members of the bride and groom more open and ready to shed their masks.

Is a party after a canceled wedding a recipe for disaster? It is. And what a disaster it is! Two families differ in everything - origin, status, wallet content, taste. The parents of the groom and bride are initially shocked. What did such a thing happen? Who was at fault? What about the wedding party? Should they welcome the guests? Play music? Pour the vodka? Who will cut the cake? From word to word, polite smiles turn into public washing of dirt. And finally a real bomb goes off... And in the meantime, the wedding party turns into a wild party. And no one is bothered by the absence of the newlyweds.

After “Heat”, it is the second short feature film directed by Agata Trzebuchowska, who is known as the leading actress in Paweł Pawlikowski’s “Ida”. Her proposal is unobvious and intriguing cinema, full of understatement, tension and a peculiar, inimitable atmosphere. The protagonist of “Vacancy” is Anna (Agnieszka Podsiadlik), a quite ordinary resident of a gated housing estate. One day, the woman takes a look inside an unfinished house opposite her own and makes a spontaneous decision to stay there. She begins to observe her family members and neighbours form her hiding spot. Not only does she discover their lesser and greater secrets but, above all, learns more about herself.

Lucjan, a retired and prestigious actor about to turn 80, is admitted by his son to a nursing home. It is supposed to be temporary, while he carries out a reform in his house to accommodate the baby about to be born. Located in the countryside, the residence appears as an idyllic place, with friendly staff always ready to help and hospitable and cheerful residents… although they all hide a secret. Suddenly, he begins to have terrible visions in his dreams, which coincide with the death of several of his companions. Lucjan will have to determine if they are real or if he is losing his mind.

A vision of an unconventional family together with their conflicts and rivalry, a vision full of ironic sense of humour but also emotional moments and true closeness. When the elder brother, Andrzej, suddenly falls ill, despite their differences and a wall of misunderstandings that has grown between them, his younger brother is taking it upon himself to care for his brother in need.

Daniel is respected by his village community as long as he bravely supports the fight for their affairs. He is in love with the boy next door, Olek, who is not ready to reveal his sexual identity. Their relationship develops in secret. When a teenage friend can no longer take homophobic attacks and commits a suicide, Daniel tries to convince the villagers to organise a service of the Stations of the Cross together for the intention of the victim.

After the mysterious disappearance of their beloved dog, two teenagers face their parents, who, trying to solve the mystery, gradually fall into madness.

Based on a script by Andrzej Żuławski, this is a fascinating on-screen dialogue between father and son that combines nostalgia and fury, the sublime with humor, and old-school style with a sharp, penetrating look at Polish reality. The eponymous bird talk is the language used by those excluded from the aggressive majority: a history teacher tormented by children, a teacher of Polish studies fired from his job, a girl who cleans a banker’s villa, a florist with a club foot and a student with a fascination for cinema. Pushed to the margins by the extreme right, they defend themselves with irony, songs and quotes from the classics.

In Poland, behind the gates of an exclusive housing estate, the life of its wealthy residents is regulated by an old code of honor, due to which the Kowalskis and the Nowaks have been embroiled in a bloody family feud for years.

A biopic about Jerzy Kulej, a two-time Olympic champion and one of Poland's greatest fighters. The film is set between the Olympics, when Kulej wins his first gold and goes for a second.

The story of Eugeniusz Bodo, a famous Polish actor and singer, who was at the peak of his career in 1930s.

Constant misfortune plagues two sisters until they discover a family curse and go on a comical mission to end it.

A young mother disappears on the slopes of the sacred Ślęża mountain, leaving behind a pushchair with her baby. A police officer, a young husband and a retired clairvoyant try to reconstruct the last moments before she vanished. A female police officer with a personal childhood connection to Mount Ślęża stands in for the missing wife.