The spaceship AAB-Gamma is dispatched from FAFC headquarters in Japan to make a landing on the planet Mars and investigate reports of UFOs in the area. As they near the red planet, they encounter a mysterious UFO that coats the ship's hull with unusual spores. Taking one of the specimens back to earth, it soon develops and grows into a giant chicken-lizard-alien monster that tramples Japan.

Matsugoro is a poor rickshaw driver whose animated spirit and optimistic demeanor make him a favorite of the town. Matsu helps an injured boy, Toshio, and is hired by the boy's parents.

A promising dancer asks her professor to write a libretto for a Nō play. He then introduces her to a student of classical literature, but also a classical theatre student in the hope that the latter will marry Senya..

Saotome is a white-collar worker on the brink of a burnout who one day strikes up a friendship with Gen, a boorish drifter who approaches life one day at a time.

Watanabe Kazuma and Kawai Matagorō from the Bizen Okayama Ikeda clan were close friends, but they inevitably became enemies after Matagorō killed Kazuma's younger brother, Gentayū, and fled. Seeking assistance, Kazuma asked his brother-in-law, Araki Mataemon, for help, but Mataemon refused, saying that it was against the code for a brother to avenge another brother's death. On the other hand, the lord of the clan, Ikeda Tadao, ordered a search for Matagorō, who was found to be sheltered by the Hatamoto, including Andō Jiemon, in Edo. Tadao was furious but unable to act. Matagorō, in Edo, came to regret his birth as a samurai. He met and fell in love with Okō, a bathhouse maid. As the discord between the Hatamoto and the Ikeda clan deepened, Tadao died of illness. Seizing the opportunity to ease the conflict, the shogunate ordered the Ikeda clan to be succeeded by the young lord Katsugorō and to relocate to the Ikeda clan of Inshū Tottori. Meanwhile, Matagorō was exiled from Edo.

1951 Japanese movie

"Atlanta Boogie" centers around a mock track meet between the "normal" and "good" citizens of Yokohama and those they want to expel from the neighborhood: the illegal foreign workers, the deadbeats, the juvenile delinquents, and elderly.

Four unlucky pirates head to a weather tracking station set on a remote island with the intention of holding the weather trackers as hostages and assaulting their next incoming supply ship; but at the station they are told that a serious typhoon is on the way, so the ship will be delayed.

When her only relative, her elder brother is accused of robbing and murdering an old woman loan-shark, pretty, young Kiriko travels from her home in Kyushu to Tokyo to get Japan's top lawyer to defend her brother. Unfortunately her naive idealism is shattered when the lawyer refuses to take the case based on her insufficient funds. What follows is a long determined revenge plot that sees the heroine become a Tokyo bar hostess and worse to punish the lawyer. The plot thickens with another murder mystery and a sleuthing reporter.

Wataru Hirayama's outwardly liberal views on marriage are severely tested when his daughter declares that she is in love with a musician and is adamant to live life her own way, instead of agreeing to an arranged marriage. Outwitted by his female relatives, Hirayama stubbornly refuses to admit defeat.

An uptight young man comes to suspect that his factory worker girlfriend has a secret involving his boorish older brother.

Tora-san gets into an argument with his uncle and sets out on the road again. In Kyushu he meets a young woman named Keiko and the shy zoologist Saburō, and attempts to play matchmaker between the two when they all return to Tokyo.

Keiko Inagawa (Asami Kobayashi) pays a visit to neurologist Aizawa about her fiancé Tatsuo Tamura (Kaoru Kobayashi). A mysterious case involving the disappearance of Tatsuo’s three brothers, one after the other, is yet to be resolved and now Tatsuo, seized with the idea that he too may disappear, has had a nervous breakdown. Aizawa suggests that Tatsuo recount his dreams as a means of solving the mystery, since human beings have an instinct that foretells the near future in the form of a dream. Keiko and Tatsuo eventually discover that the three disappearances have a strange connection…

During the early days of the war a young student, Makito (Kazuo Funaki), falls in love with Yuko (Mayumi Ozora), the widow of a naval officer. She, however, is living with the memories of her husband and it is her younger sister, Yumiko (Nana Ozaki), who grows fond of the student. Then, one day, a young naval officer, Tadayuki (Ken Ogata), a friend of her late husband, comes to see the widow and she becomes attracted to him. Though Makito is inspired to study for the navy, he is much upset when he learns that Yuko and Tadayuki are to marry.

Police investigators investigate the link between a serial killer's machinations and a teenage boy who committed suicide.

In a certain port town, there is a group of young men called the Wakakusa-kai. The chairman Oda (Miki), member Ichiro Sonoda (Ishihama), his sister and music lover Keiko (Misora), Keiko's classmate Sachiko (Ota Chieko) and her brother Shoji (Yamada) meet enthusiastically to brighten the town and help themselves grow. Ichiro's family lives with his father and Keiko in a milk shop, but Keiko's desire to go to music school is unlikely to be fulfilled. Meanwhile, Shoji's father is trying to get Shoji and Keiko married.

A Chinese medical student named Gan Shosho finds himself cut off from his homeland as he is studying in Japan during the outbreak of the war. Despite his difficult circumstances, he finds love in the form of Sachiko and the two marry. They later travel to Nanjing to live a new life together where Sachiko and Shaochang cooperate with the Japanese-backed government. Their ultimate hope is to secure peace but their idealism is not enough to keep them together through brutal times and with the end of the war the two find themselves facing a divorce... --Osaka Asian Film Festival