Marta (Jana Brejchová) and Viktor (Vlastimil Brodský) celebrate the tenth anniversary of their wedding half-heartedly. They both think they don't suit together. While visiting Marta's friend Alena (Iva Janzurová), who just got married for the third time, they learn an interesting thing. It was a computer which selected a husband for Alena and she claims she is happy. The couple gets off after certain hesitation to a cybernetic institute, where the computer tells them that living together is a risk for them. At the same time the computer selects them ideal partners - Mrs Tuchlová, a doctor for Viktor, and Petr Karát, a music composer for Marta. By a coincidence Viktor and Marta meet wrong people.

The Lavicka's, a Czech family from the city, rents a house in the country with the option to buy. However, old Mr Komarek seems reluctant to sell the house as they agreed.

Life in communist Czechoslovakia in the early 1950s and the punishments for going against the state.

Second movie of the famous Czech adventure trilogy: Osada Havranů Na veliké rece Volání rodu

First movie of the famous Czech adventure trilogy: Osada Havranů Na veliké rece Volání rodu

Third movie of the famous Czech adventure trilogy: Osada Havranů Na veliké rece Volání rodu

This movie is based on texts of Bohumil Hrabal, world-known Czech prosaic. It's a story (in a form of a mosaic of short episodes and pictures) about the sadness and happiness of inhabitants of Kersko (Kersko is a small woody area full of cottages and roods). These people are both simple and sensitive, they have their own pleasures (e.g. Leli is a collector of cheap, but inutile things) and the greatest delight of all of them is a hunting. Crude poetics of amateur hunting is screened by dreamy pictures of this area. Menzel mixes sentimental lyricism and rough (but not vulgar!) humor and the outcome is the never-ending landscape of continuous life in the proximate nearness of nature. The performances of actors are brilliant. Both Rudolf Hrusinsky as a Franz and Jaromír Hanzlik as a Leli have nonrecurring charm bottomed on a pain and inebriation. Only the music is not perfect: Jiri Sust usually assembled his film music from his older works and in this movie there is many quotations.

Drama set on an isolated farm on the Czech-Polish border immediately after the end of WWII.

An old man is wandering round a badly signposted and as yet mostly under construction Prague housing estate looking for the high rise block into which he is supposed to be moving with his daughter's family. The old granddad from the countryside likes chatting, nothing escapes his eyes and he wants to give everyone a helping hand.

A parable for the end of totalitarianism. Three protagonists - a high official, a secretary, and a border guard - representative of three generations (1948, 1968, 1988) are forced to confront their ideals and places in society through the events of one strange night.

A doctor is shocked when his beloved colleague Mima signs a contract with foreign car manufacturer Ferat, in order to work for them as a rally-driver. A scientist convinces him that human blood is being used as fuel for Mima's ever winning car, but does that really work?

A psychological drama exploring the notion of the doctor as a moral authority, who within the framework of their everyday work must face questions of life and death. The film is adapted from a novel by Valja Stýblová, in which the author draws upon her personal experiences as a former neurosurgeon. The protagonist of this drama is an ageing professor, based at a Prague neurological clinic, who is haunted by issues concerning his own principles and values, and also by the case of a young patient, Víťa, afflicted with an inoperable tumour.

Returning home to Prague, the magician Pasparte, an owner of a circus caravan, meets his dying colleague who entrusts his beautiful daughter Aloisie to his care. In Prague they all take up their lodgings at the house At Blue Fish in which they intend to arrange the programs. The firm is owned by widow Evzenie with whom Pasparte shares flat and bed. Evzenie is jealous of Aloisie therefore Pasparte sends Aloisie as a housewife to the single man Jakub Kolenatý who earns his living by photographing and wants to record the revived pictures of Prague. Pasparte wants to found in Prague the first permanent Czech movie theatre in which there would be projected also the original Czech films.