More mature without being wise, as incredible as it is true, Cathy Gauthier is about to dazzle you with a third, more personal and authentic show. Between her childhood memories, which are unusual to say the least, and her enlightened view of current realities, the one who dreamed of being a “beautiful princess” has amassed her share of hilarious disillusionments. She shares them without restraint, with the energy and rhythm that make her a great comedian.

Renowned for his precision and corrosive humor, Guillaume Wagner boldly tackles subjects such as homophobia, the evolution of our collective rituals and superficiality. Without falling into cynicism, he skillfully laughs at our individual and collective failings, without forgetting to include himself in the process. Winner of three prestigious awards for emerging artists, he has won over an already loyal audience that has been eagerly awaiting this very first show. As he says himself, Cinglant is a show for everyone, but not for everyone.

Natasha Romanoff, also known as Black Widow, confronts the darker parts of her ledger when a dangerous conspiracy with ties to her past arises. Pursued by a force that will stop at nothing to bring her down, Natasha must deal with her history as a spy and the broken relationships left in her wake long before she became an Avenger.

An entrepreneurial criminal, Slim (Dorff) is as smart as they come. Cocky and confident, he assembles a team of risk-taking rush-seekers to pull off a series of five bank heists, each time using a different extreme sport to make the getaway. Following an unexpected windfall on only their second job, the gang nets $20 million in untraceable bonds. Having scored enough money to retire on, Slim and his crew decide to call the robbery game quits. But both the mob and the police have other plans in mind for Slim: they want him to keep working, for them.