Véronique is a beautiful young French woman who aspires to be a renowned singer; Weronika lives in Poland, has a similar career goal and looks identical to Véronique, though the two are not related. The film follows both women as they contend with the ups and downs of their individual lives, with Véronique embarking on an unusual romance with Alexandre Fabbri, a puppeteer who may be able to help her with her existential issues.

Grégoire Canvel has everything a man could want. A wife he loves, three delightful children and a stimulating job. He's a film producer. Discovering talented filmmakers and developing films that fit his conception of the cinema-free and true to life-is precisely his reason for living. Yet his prestigious production company, Moon Films, is on its last legs. Too many productions, too many risks, too many debts. Storm clouds are gathering. But Grégoire ploughs on at all costs. Where will his blind obstinacy lead him?

A teenager feels an endless fascination for his cellular which will enable him to reach his aim: alluring the pretty high-school girl he's in love with. Unfortunately, this special "addiction" will not be without negative consequences on the behavior of the boy...

Andreas Kartak, a homeless man living under the bridges of Paris, is lent 200 francs by a stranger as long as he promises to repay it to a local church when he can afford to. Kartak is determined to pay back his debt but circumstances, and his alcoholism, forever intervene.

Manhattanites Bruce and Prudence are each looking for a meaningful romantic relationship and have been encouraged by their psychiatrists to find someone through the personal ads. Their first meeting is disastrous, but they begin to hit it off during their second date. However, Bruce's bisexual, live-in lover does not want to share Bruce and is willing to do whatever it takes to keep him to himself.

The story of two youths – one Algerian, one French – who become juvenile delinquents in a Paris suburb.

In this political drama, five left-leaning friends gradually lose heart in the Socialist government elected in 1981 in France. One of the five men is a television broadcaster; the others are a teacher about to become an academic inspector, a tax man, the director of a cultural center, and a sociologist who is about to step into a ministerial position. Their interlocking lives are told in alternating vignettes over a four-year period, and the professions director Jacques Fansten has chosen for his main characters seem to be a comment on the media, education, budget or finance, the arts, and government bureaucracy under Socialist rule.

"Everything will be fine" the doctor promised Jo while she was giving birth to her first child. But, some forty years and four sons later, nothing is happening like it should be during this month of August: as she arrives on Greek soil to organize her traditional festival with her tribe, Jo learns that the latter has been cancelled, courtesy of the economic crisis. The hour seems to be tragic but the maternal instinct grows stronger, she is ready to do everything for the happiness of her sons. Between squabbles and blood and destiny blows, this summer will be like no other.

Foued is a little schemer from Barbes, who doesn't listen enough to his two accomplices of always, Philippe and Pierrot. He prefers to follow the idea of Manu, a young woman who wants to use her three "pigeons" by carrying out a heist intended to avenge her father. Demasked then adopted, it is four pigeons who will go up to Paris to carry out the business.

French TV-Movie

Joseph learns that his son and his companion have just perished in an accident. They were expecting a child via a surrogate mother in Belgium. What will become of their future baby? Is Joseph the legitimate grandfather? Carried by the promise of this birth which will prolong the existence of his son, the sexagenarian goes to meet the young Flemish woman with a fierce and indomitable character.

A successful Italian man living in Paris returns to Italy to exact financial revenge upon his cruel half-brothers in this Italian-French drama. Gabriele now runs a successful antique appraisal company in Paris. He lives in a fine, automated apartment which his lover Claire compares to an impenetrable box. Gabriele is haunted by his troubled youth, which is presented through flashbacks. He and his baby brother Martino were bastards. Their father was the wealthy Giancarlo Giannini who already had a family. After Gabriele's feisty and independent mother died, he and his brother were taken into their father's home. Though living in luxury's lap, the now adolescent Gabriele was mistreated by his two hateful half-brothers. He eventually ran away from that house. This is the motive behind his revenge. But to get it he must return home and therefore, must face his past.

Leo just broke up with his wife, and the handsome architect wants to enjoy his sadness at this event in solitude. Unfortunately for him, his young girlfriend, an unperceptive sprite, is too much in love with him to let him out of her sight. He is on his way to a resort in the south of France, and despite his persistent, obvious and repeated attempts to get her to leave him alone, she sticks to him like glue.

Isabelle, Parisian artist, divorced mother, is looking for love, true love, at last.

After fatally shooting a stalker, Parisian bar-maid Lea must live the life of the title reptile. At the time of the killing she was living with Francis, a much older American ex-con. After committing the murder, the fleeing and frightened Lea is saved by Paris paper boys Jean and Luc. Later she tells her sad story to hard-drinking Moskowitz, a middle-aged cop who secretly desires her. His unrequited love leads to tragedy. Meanwhile, Lea continues living with Francis, but also shacks up with Luc while trying to avoid the jealous cop.

The film follows a 30-year-old man named Gabriel, a French war reporter who was taken to hostage in Syria and then heads to India after months in captivity.

When Frédérick, the patriarch of the Alsatian Muller family, is conspicuously absent from his son Charles' funeral, Frédérick's surviving son and his granddaughter, raw from their loss, await an explanation. Once revealed, Frédérick's reasons and the painful secret Charles harbored for years threaten the foundations of the entire family.

Jérôme, a senior executive, has just left his company. Determined to never work for nobody else ever again, he attempts to set up his own company, come what may, even ignoring the reluctance of his wife Laura. Ugo, their 11-year-old son, is a tennis player and a promising champion. To reach his goal, he must make it into the Roland Garros national training centre. Just like his dad, he’s willing to do whatever it takes to make it. Together, Ugo and Jérôme will realize that not all rules can be bent in the quest for success.

The plot revolves around Bernard – a schoolfriend of Olivier's who is preparing for his bac – discovering he is a bastard and taking this as a welcome pretext for running away from home. He spends a night in Olivier's bed (where Olivier describes a recent visit to a prostitute and how he did not find the experience very enjoyable). After Bernard steals the suitcase belonging to Edouard, Olivier's uncle, and the ensuing complications, he is made Edouard's secretary. Olivier is jealous and ends up in the hands of the cynical and downright diabolical Comte de Passavant, who travels with him to the Mediterranean.

Maurice Hartmann, a Parisian academic, annoys his young mistress with his cynical and disillusioned words and the void of his existence. The proposal of one of his students upsets his life: the young Kiyoshi offers him to taste his assortment of sushi and sashimi. In front of the delighted face of his teacher, Kiyoshi proposes to him to set up a small business of takeaway sushi for busy Parisians. Enthusiastic, Maurice struggles to find funding, and the "Sushi Express" gets off to a great start. But, after a good start, the small business stagnates ...

Blanche is a maniac for the housekeeping. Colette, after having a sleepless night very eventfull, is coming to visit her.

Il Tempo Dell'Amore (A Time to Love) is an omnibus film of three different love stories that take place in three different eras and locations. The common element is the theme: love causes a lot of pain.

Set in Baroque France, a scheming widow and her lover make a bet regarding the corruption of a recently married woman. The lover, Valmont, bets that he can seduce her, even though she is an honorable woman. If he wins, he can have his lover to do as he will. However, in the process of seducing the married woman, Valmont falls in love.