When Tomás returns to his remote island holiday home he discovers his reclusive wife and child have vanished. With nowhere to turn and a storm approaching, he is forced to place his trust in the small community's lone retired police officer, Labhaoise, to investigate. As the search takes an unexpected turn, some uncomfortable truths are revealed. Meanwhile the storm looms ever closer.

Kenny's work as a nurse in a psychiatric hospital isn't just a job, it's a vocation. His special group of patients are his friends - his only friends. When a strange young man is introduced to the group, he threatens the love, discipline and respect that have been the very basis of Kenny's authority, and all that surrounds the institution is scant protection from the madness of the world beyond.

Ian is a struggling actor who finds himself in the unconventional role of a professional mourner. As he tours the Northern Irish countryside, his practiced mask of apathy begins to slip amongst the humour and heartache of the local funeral circuit.

Shoot to Kill is a four-hour drama documentary reconstruction of the events that led to the 1984–86 Stalker Inquiry into the shooting of six terrorist suspects in Northern Ireland in 1982 by a specialist unit of the Royal Ulster Constabulary (RUC), allegedly without warning (the so-called shoot-to-kill policy); the organised fabrication of false accounts of the events; and the difficulties created for the inquiry team in their investigation.

A true-life drama in the 1920s, centering on British explorer Col. Percy Fawcett, who discovered evidence of a previously unknown, advanced civilization in the Amazon and disappeared whilst searching for it.

The story of music legend Terri Hooley, a key figure in Belfast's punk rock scene. Hooley founded the Good Vibrations store from which a record label sprung, representing bands such as The Undertones, Rudi and The Outcasts.

This is the fascinating true life story of one of Ireland's most famous unsolved murders. It is the tale of how an innocent man was found guilty but insane of the brutal homicide of a young woman from a very prominent family. Told in superb period detail, Scapegoat contains a combustible mix of sex, class, bogus respectability and dark domestic secrets

Maeve returns home to Belfast after a long absence. Her arrival in the city stimulates a series of memories of childhood and adolescence both in herself and other people.

Northern Irishwoman Helen Cuffe (Julie Christie) is overwhelmed with sadness when her husband is killed by the Irish Republican Army. She and her teen son, Jack (Frank MacCusker), then move to a tiny town and start life anew. There, Helen meets a mysterious American man named Roger Hawthorne (Donald Sutherland), who is in the area to refurbish an old train station. A romance slowly blossoms between Roger and Helen, but Jack then gets involved with a violent political group, and tragedy looms.

An alpha female barrister complicates her professional and personal life when she falls for a client.

In the aftermath of the Guildford and Woolwich pub bombings, a large number of people of Irish descent were rounded up for questioning by the police in London. Most were subsequently released. But for the Maguire family, 3 December 1974 was the start of a nightmare that is only now ending.

Northern Ireland, the future: in a post apocalyptic landscape of decaying towns and primitive technology, two people set out on a journey.

When fate brings Belfast teacher JJ into the orbit of self-confessed 'low life scum' Naoise and Liam Og, the needle drops on a hip hop act like no other. Rapping in their native Irish, they lead a movement to save their mother tongue.