A photographer who is a well known criminal gets his hands full when an old flame reporter starts throwing him in the headlines.

A retired tough guy's drive to avenging his brother and sister.

After Murat is released from prison, he will do illegal deeds to help street kids.

Turkish version of Young Frankenstein.

Gülcan and her husband İbrahim dream of a happy future together in their village. However, they are subjected to the cruelty of the Agha, the local landowner who lords over the entire village. İbrahim is fed up and moves to Germany to find work. On the other hand, Gülcan has to deal with Agha's evils alone.

The story of cowboy Bill, who comes to town to avenge his murdered father.

A comedy of a journalist who feigns war news and makes his agency strand.

Three friends who just got out of prison promise each other that they will no longer commit crimes. However, all three plot the same robbery, unaware of each other.

Cellat, the Turkish version of Death Wish, sticks fairly close plot wise to the template of the American film, with some scenes and bits of dialogue being almost identical. However, it also deviates from its inspiration at times and is at its most interesting and valuable in these little moments, providing lurid snapshots of a place and a culture.

Born out of a Christmas ornaments-filled heaven, Turkish Superman fights the mob in order to save the day!

Easily deceived by her charming affectation, a boisterous country man kidnaps an adventurous damsel to a far off land hoping soon she will come to her senses with him. She lacks the courage to reject his straightforward endearment.

Kemal is a casino owner, Tayyar is after his casino. Asli goes to a boarding-school, her granny is a flower seller from whom Kemal always buys some. Asli's father is in jail. One day Kemal hits Asli with his car, they become friends. She wants him to come to the school party, introducing him as her father. Tayyar's assassin shoots Kemal, Asli nurses him as he is released from hospital. They feel close to each other, yet Kemal wants her to stay away from the mafia world, he finds out that Asli is Fatma's grandchild. Fatma tells her that Kemal is married and has children. Tayyar kidnaps Asli, he asks Kemal for his casino to set her free. Kemal meets Tayyar, a volley starts and Kemal gets fatally wounded. Asli and Kemal loved each other, unfortunately Kemal dies.

People mistake a naive extra for his lookalike gangster and cause funny events.

A feud in the city instead of the village.

Zagor is a costumed hero in the tradition of Batman or the Phantom who has been transplanted to the old west, with perhaps a bit of Tarzan thrown into the mix for extra pop cultural resonance. The son of a white army officer and his wife who were slain by Indians, Zagor was raised by a trapper who taught him to be murderously handy with an ax, a task that would come in handy when he embarked on his planned mission of vengeance against his parents' killers. Upon reaching adulthood, however, Zagor discovered that his father had also been responsible for the deaths of many Indians, and that the moral line was not drawn as clearly as he had initially thought. As a result, he vowed to become an equal opportunity protector of the oppressed, whether they be white settlers or Indians.

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Osman, who opposes his father for the woman he loves, starts preparations for marriage with Sükran. Meanwhile, Sükran learns a great secret about her mother, and is abandoned by Osman when the secret is revealed.

The showdown of two friends who committed a robbery.

It is the story of a worker girl who chooses to stay between two men as a result of unexpected events and eventually choose to escape with her truck driver lover.

A depiction of social satire, Talihli Amele [The Lucky Worker] (1980) shows the transformation of a young man who immigrated to Istanbul to provide a better life for his family. With hopes to become a successful mason, he suddenly finds himself the star of a TV commercial. Drawing attention to the rising consumerism culture and its effects on individuals in Turkey, the film was allowed to be shown with a State Council verdict.

Ramazan (Sönmez Yıkılmaz), who has been fighting in Cyprus for a long time and resentful of life, is back on the move after the murder of his unit commander, because his beloved soldier friend has been killed by an international arms smuggling organization. Ramazan, codenamed Ramo, fights against this organization with a fellow soldier. During this struggle, he also establishes a relationship with the daughter (Ayşegül Ünsal) of the billionaire smuggler chief (Muzaffer Tema).

The story of a cop who getting revenge from a mafia gang that killed his family.

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The story of twin brothers who lost contact with each other in childhood.

Another story of Gırgıriye Neighbourhood with Müjdat Gezen and Gülşen Bubikoğlu

The story of two hostile families.

Two brothers with distinctive characteristics are separated at birth. They find each other while both are trying to get into high society for different reasons.

Cafer, bored with his marriage, works as a cashier. One day he is caught embezzling a large sum of money and ends up in prison. Piraeus Mehmet, Fırıldak Ömer and Cin Ali go to prison to ask him where the money is..

He is a civil servant in the bland state office. His whole life changes when his reports get mixed up in the hospital and he gets news that he's going to die very soon.

Story of a famous singer from a small rural village, making it big in the city by following their passion.

Rıza is a father of 5, who has economical problems but happy nevertheless. Everything changes when his younger son gets hit by a car.

This is one of the tragicomic films of Kemal Sunal who is most "serious-comic" artist of the Turkish cinema. This film also reflects socio-economic and cultural life of the 70's-80's Turkiye. The film obviously talk to Turkish audience but who wonder that era of Turkiye can taste of it. The film underlines of love, friendship and -richness in the poorness- and also is a story about the people who prefers love, instead of money and fortune. The theme and narration may include some populist elements -like most Kemal Sunal films- but generally tells its story as well. The story is familiar to Turkish audience: A young man loves young girl. In most Turkish love films one of the partners is rich or poor according to the other but in this movie both sides are poor and they have many difficulties to reach happy end. In my opinion, these kind of movies always gives hope to people to get over it.