Critical documentary about urban planning in the city of Stockholm. Made by students at the Swedish Film Institute's film school. The film created a great debate in Swedish media and especially between the film institute's CEO Harry Schein and the filmmakers.
In the early 1970s, Swedes flock to Mallorca, as Lars Molin debuts on TV, Badjävlar emerges, a hunger strike for jobs begins, and Sweden reacts to the murder of the Yugoslav ambassador. Tjejsnack premieres, "We must raise our voices to be heard" becomes a hit, women's camps are held, a courthouse tragedy occurs in Söderhamn, protests erupt in Stockholm's Kungsträdgården, and Björn Gillberg protests food additives by washing his shirt in milk substitute powder.
