Meral is a show girl and drug addict and Yilmaz is a handsome police chief who fights against drug dealers. The tragic reality of the glamorous show world is revealed in the film's story. Meral's boss Haci wants her to spy on Yilmaz. However Meral and Yilmaz fall in love with each other. They work cooperatively and in a police operation headed by Yilmaz Haci and his men are caught wounded, but Meral gets shot.

Kemal is a casino owner, Tayyar is after his casino. Asli goes to a boarding-school, her granny is a flower seller from whom Kemal always buys some. Asli's father is in jail. One day Kemal hits Asli with his car, they become friends. She wants him to come to the school party, introducing him as her father. Tayyar's assassin shoots Kemal, Asli nurses him as he is released from hospital. They feel close to each other, yet Kemal wants her to stay away from the mafia world, he finds out that Asli is Fatma's grandchild. Fatma tells her that Kemal is married and has children. Tayyar kidnaps Asli, he asks Kemal for his casino to set her free. Kemal meets Tayyar, a volley starts and Kemal gets fatally wounded. Asli and Kemal loved each other, unfortunately Kemal dies.

A young woman is trying to build a decent life for herself, but has to deal with the sexual advances of men all around her, including her stepfather.

Murat is a charismatic political prisoner in Malatya. He is well respected by both inmates and prison officers. There he meets two women: Tozey, a famous prostitute, and Hanim, a defenseless woman accused of murdering her husband.

A frigid young housewife cannot reconcile her sado-masochistic imagination with her daily life with her submissive husband. While he is at work, she starts working in the afternoons at a local, first-class brothel.

A highly accurate autobiographic film that depicts the aftermath of Bülent Ersoy's gender change and how she, her friends and community reacts to it.

This is one of the tragicomic films of Kemal Sunal who is most "serious-comic" artist of the Turkish cinema. This film also reflects socio-economic and cultural life of the 70's-80's Turkiye. The film obviously talk to Turkish audience but who wonder that era of Turkiye can taste of it. The film underlines of love, friendship and -richness in the poorness- and also is a story about the people who prefers love, instead of money and fortune. The theme and narration may include some populist elements -like most Kemal Sunal films- but generally tells its story as well. The story is familiar to Turkish audience: A young man loves young girl. In most Turkish love films one of the partners is rich or poor according to the other but in this movie both sides are poor and they have many difficulties to reach happy end. In my opinion, these kind of movies always gives hope to people to get over it.

Another story of Gırgıriye Neighbourhood with Müjdat Gezen and Gülşen Bubikoğlu

Murat is a successful journalist. One day a girl named Aysel is kidnapped and raped by three men. Murat is misinformed about the case, so he distorts the whole story which deeply saddens Aysel's family. Murat decides to look into this case again and finds out that the three men are sons of well-off families and writes about them in his articles. Murat's bosses ask him to resign, but Murat doesn't give up. In the end, the culprits are delivered to the justice. However, one day Murat is found dead.

The road runner movie of two clever cheaters turns to a love story.

Ferit who works as a reporter on a newspaper, makes fake news about the olive oil king Hulusi. One day he writes that he adds machine oils to his oils, another day he writes that his daughter Alev hangs up with men and prints her photos. Actually the married man seen in the photos is Alev's cousin.