Chinese folklore has it that during ancient times, thousands of crows randomly attacked and killed inhabitants of Feng Village just outside of the Great Wall.
Hsi Shih: The Beauty of Beauties was one of the most ambitious films made in the Taiwan film industry in the 1960s. After leaving The Shaw Brothers studio in Hong Kong and moving to Taiwan, filmmaker Li Han-hsiang mounted this historical epic. Told through the story of Xishi (Hsi Shih), one of the 'Four Great Beauties' of Chinese history, the film portrays the war between two Chinese Kingdoms during the Warring States Period (475-221 B.C). After the kingdom of Yue is defeated by the kingdom of Wu, King Goujian of Yue takes pains to prepare for his revenge and rebuild his country. Knowing that King Fucha of Wu is lewd and lustful, he offers Xisi to the court of Wu to serve as Fucha’s concubine, with Fucha unaware that she is also a spy. She uses her charm to draw Fucha away from his office and governance, while King Goujian rallies his forces together to attempt to reclaim his lands.
In Shanghai, Hai-nan, son of a Chinese official, is found stabbed on the street. But when the culprit, Li-fang, is apprehended, she refuses to reveal her motives. Meanwhile, a police officer grows suspicious of the officials’ rush to close the case. As he searches for leads in the case files, a shocking truth about Li-fang is revealed.
Kidnapped by a group of bandits and raped by their chief, Dan Zhu slowly develops feelings for the perpetrator. Echoing the social realism of Taiwanese new wave filmmaking, director Wang Tung revisits the wuxia genre, with the emphasis on psychology rather than action.