The film version of the theatre musical production by the "Divadlo na provazku" in Brno tells the tale of legendary bandit Nikola Šuhaj from Koločava.

The aging Bohus buries his wife Vlastička and after seven years of abstinence starts drinking again.

Psychologist Eliska contacts musician Martin with a request for him to perform at an event on mental disorders. Their intense relationship ends with Eliska's suicide, which will resolve long-lasting pain without cause. She flew through Martin's life like a spaceship. She left clothes, things, a farewell letter. But also memories, dreams and eternal encouragement to play. She's still with Martin. Like a memoir, as a gratitude for the experience, like a muse.

Philosophical movie, staged at the least philosophical environment imaginable: A closed scenery of a nudist spot, where some hired Czech stuff is making a plain erotic movie for a rich Russian producer. Nothing in this movie is what it seems to be at the first superficial glance.

Telling the story of Archimedes, one of thousands of refugees who left Greece for Czechoslovakia at the end of the 1940s, as the Greek civil war meant many communist fighters sought refuge in communist countries. Told through the eyes of Archimedes’ grown-up nephew Aris, who recalls how his uncle's life changed when he escaped from Greece to Czechoslovakia with the naive dream of a rosy future under a socialist regime. But all was not as it seemed.

Bohus is indolent and spends his days drinking brandy. One day he finds he has inherited a brickworks, several shops and a five-star hotel. Bohus sets out to tour his new empire, insulting everyone on the way.