In Camouflage, writer Félix Bruzzone embodies a runner who has an obsession with Campo de Mayo, the biggest military unit in Argentina. It is also the place where his mother disappeared in 1976 and the main clandestine center of detention, torture and extermination during the last dictatorship. The film will follow Félix as he finds characters that allow him to enter and explore this place so loaded with history.

Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.

A portrait of Argentine director Gastón Solnicki's family over the course of the second half of the 20th century, Papirosen follows four generations still troubled by a war that’s never spoken of. The film juxtaposes different periods with their native image formats, along with landscapes, characters and international political events, as it focuses on a singular decade of a nouveau riche Argentine Jewish family, and the new generation’s introduction into familiar traumas and vitality.

Struggling with the breakdown of a relationship, Leo moves back to a dilapidated 'city of tomorrow' to live with his belligerent grandfather and his father Rafael, a disillusioned engineer who once worked in Cuba's now-abandoned nuclear program.

Clara is on her way out of the city on a family trip to the outskirts. She receives a message from Martina, her childhood friend, the person she'd been with the night of the tragedy at the República Cromañón club, bringing the idea of motherhood into the foreground. This shot of the present day and reality in a series of WhatsApp texts, home videos and family lunches sparks an exhaustive look back at her own adolescence and that of her friends in a city ravaged by the crisis and by a tragedy.

A group of girls and boys in their twenties settle in a country house that seems completely isolated from civilization, invited by Helena, who plans something humiliating for one of the guests.

A young Argentinian woman who works as a museum guide uses her passion - reading - as a means of expression to channel the emotional and working lives of those around her.

It is an approach to the figure of Fernando Martín Peña, but it is also a film about cinema, about a transcendental movement in its history, its spaces and rituals.

The first Carapintada uprising in 1987 puts Raúl Alfonsín’s presidency in check. A meeting and a speech install an even more latent enigma.

Sergio and his family work in an estate in Argentina’s northern region. When their employers aren't home, they occupy the main house and emulate the life of the owners. Then Pia, the eldest daughter of the owner, arrives at the estate with the intention of staying a few days until her father’s marriage...

This is the story of a man who created a jungle next to the highway, building with his bare hands beautiful and unbelievable works of engineering in the forest. This is also the story of how he ended up burning them to ashes to reconstruct them, time after time, over decades. He is known as “Garrell”, also as “Tarzan from Argelaguer”, and he is not driven by any apparent purpose, except one: going “on the go”.

Cetarti is drowning in nothingness. With no job or purpose, he spends his days inside watching documentaries on television, until one day he is informed that his mother and brother were gunned down. He travels from Buenos Aires to Lapachito, a decrepit town in the province of Chaco in northern Argentina to deal with their bodies and to get the life insurance money. There he meets Duarte, a sort of boss in the town and a friend of his mother's murderer who also kidnaps people for money. Cetarti's path will lead him to committing illegal acts to get his hands on the insurance money and to his involvement in Duarte's dark dealings, leading to an absurd and unexpected outcome.

A puma stalks Pueblo Nación Ranquel, an indigenous community in the North of Argentina. Hunting is a rite of passage, and the older boys want to kill the puma. But Uriel chooses a different path.

A group of girlfriends gather almost every day to sunbathe in the terrace of a building, in an age where getting the perfect tan was everything.

Marcos is an experienced nurse. He works in the night shift of a provincial private clinic. He is applied and professional but has a secret: in some extreme cases he applies euthanasia. He'll soon meet someone that knows what he's doing.

Three situations of vaguely theatrical origin, stripped of all outer clothing, reveal the track of a different cinema. whose realism seeps into the cracks of his apparently self-contained, closed world.