Let's Go, Grandma! plays like an exuberant, goofy update to Yasujiro Ozu's Tokyo Story. Kinuyo Tanaka plays the titular Grandma, who, after selling her Hokkaido property, is apparently flush with cash but newly homeless. Her grown children take turns hosting her, making extravagant performances of filial devotion with an eye to potential profit. Making use of a catalog of wacky visual effects, bracketed by gratuitous ham-fisted fight scenes, and costarring pop singer Hideki Saijo, the film is balanced by Tanaka's nuanced performance, which delivers a denunciation of hypocrisy and greed.
Two rival groups of gangsters vie for control of a tiny port town in northern Japan. Daisuke, a member of the older of the two gangs, and Kosuke, a hoodlum in the newer gang, both fall in love with the daughter of an inn proprietor, even though she evinces more interest in improving the town than in their romantic advances. Eventually, the two hoodlums come to respect her efforts and decide to join forces in ridding the town of all gangsters. The two men succeed in restoring peace to the town and, rejected by the innkeeper's daughter, they leave town as friends.
The golden duo of Yukio Hashi and Chieko Baisho. A film rich in a variety of songs, dances and falling in love to the rhythm of Yukio Hashi's song of the same name.
A young composer falls in love with the beautiful daughter of a wealthy company president and flies to Paris when he learns she is studying music there. But, when he finally wins her after many difficulties, he somehow feels empty, because his spirit has always been aroused against barriers before him.
A sentimental drama about aspiring artist, Eiji, who rescues a blind girl. His friends Goro and Minoru and the blind girl's sister Kazue are a happy group until Goro steals money from Kazue's purse. Goro is arrested and his friends start bothering Eiji. To escape their harassment he changes jobs. But then he becomes the victim of an unexpected accident.
