In order to reflect upon current practices of political dissent, we delve into the past and follow the experiences of a young artist. Invited to go underground in Portugal, during the second half of the 20th century, Margarida Tengarrinha played an important role in anti-fascist resistance, becoming a forger out of political activism. Given the anachronism, Clandestina is like a letter to a time yet to come, a premonition of the tragic possibility of History repeating itself.
After 500 years of African presence in Portugal, Black people find refuge in the utopian creation of The Island [A Ilha]. A place residing in the space in-between fiction and reality, where the potentialities to rewrite histories and think futures are brought together through the characters and their journeys. The woman who escapes the memories of the past by confronting her executioners. The archaeologist who investigates memory so that similar mistakes will not be repeated on the island. The capitalist man who reflects on how he has become the oppressor. The children who energise all the other characters.
In an attempt to escape the entire flow to which she is exposed, M goes in search of a place - the sea and its beings - that sets her free from time and can give herself pleasure, but is constantly infected and interrupted by phenomena that affect her and alter her perception.
