Clarita is 13 years old and lives in Rosario with her parents and sisters. She has an unusual curiosity and a defining passion: astronomy.

“R.J.W.” are the initials of Rodolfo Jorge Walsh. The documentary builds a parallelism between life and work, accounting for the self-referential component in his writing, from his childhood to “Operación Masacre”.

A journey through the last 24 years of the Argentine basketball team through the stories of its three coaches: Julio Lamas, Rubén Magnano and Sergio Hernández. Far from being rivals, they knew how to assist each other by pursuing a common goal: to achieve the best for the team.

In 1978, Jorge Cafrune, musician and Argentinian folklore icon, set out on horseback to cross the country to pay tribute to the liberator general, José de San Martín. On the first night on the road, he was hit by a van. Some believe that the crime was ordered by a [...]

In the 1990s, in the city of Mar del Plata, about thirty women disappeared and were murdered, most of them sex workers. A serial killer that was given the name of “El Loco de la Ruta” was blamed for these crimes. Every investigation that had to do with these crimes was half-hearted and defective; the stigmatization of the victims was much more intense than any aim at justice. In a decade pierced by impunity and social discontent, the women, most of them still unorganized, were the only ones to raise their voices and take the cold city streets reclaiming justice.

In 1982 the Malvinas war affected combatants from Argentina and the United Kingdom. The shock wave of the crisis shook thousands of souls in many countries. This documentary tells five stories of civilians whose lives changed forever by the conflict. An inquiry about being in the right place, at the right time, or the opposite

A correspondent in a media outlet aligned with Latin American dictatorships writes a report that provokes the kidnapping of an exiled doctor. As he writes the chronicles of the event for its cover-up, he is haunted by his own ghosts, so he moves to the catacombs where intelligence operates.

Juan has a normal life: a good job, he is married, he is expecting his first child and he wants to move to a bigger house. One day he discovers, by chance, that his identity is not what he thought.

A group of teenage swimmers prepares for a championship. Laura is the first of the group to awaken to her sexuality. Her friend Ana tries to accompany her in this complex process full of contradictions.

The most transcendent and controversial event since the invention of the seventh art: the disappearance of photographic film. What for many people seems to be simply the result of technological evolution, brings with it paradoxes and contradictions that endanger photographic film heritage and accelerate its deterioration.

Mechita, was a fabulous railway pole in the Buenos Aires plain, today two locals undertake the task of exposing their village through art. Juan Doffo and Pirulo Giommi, a self-taught blacksmith who feeds his work from railway remnants.

The Nieto family lives off crime: Assaults and express robberies commanded by policeman Molina, who orders the missions. Nieto executes them, with his son-in-law Boris as henchman. Nieto is already over 60 years old and wants to retire and leave something to his children, Nati, hairdresser, Marcelo, the youngest son who works security in a company and does not want to get involved in these jobs. A final mission could give Nieto the tranquility of retirement and some well-being for his family. But things do not go as expected. Marcelo must return to action and the situation will go from bad to worse.

Set in the late ‘90s, in the height of the privatizations and the increase in poverty, Postman closely follows Hernán, a young man full of illusions that gets a job at the Central Post Office. There, a colleague teaches him the codes of the trade, but the harsh reality will force him to break them.

The film tells how in 1970 a group of Argentine filmmakers - including Alberto Fischerman, Rafael Filippelli, Julio Ludueña, Miguel Bejo, Jorge Cedrón, Dody Scheuer and Luis Zanger - decided to make a short film each in one night. The occasion is perfect to describe the atmosphere of the '70s, the fever in which militants and publicists lived, the clash between art and politics. Includes fragments of the films The Players vs. Ángeles Caídos (Fischerman, 1969), Shadows (John Cassavetes, 1959), Made in U.S.A. (Jean-Luc Godard, 1966), L'eclisse (Michelangelo Antonioni, 1962), The Hour of the Furnaces (Pino Solanas & Octavio Getino, 1968), Tire dié (Fernando Birri, 1960), Alianza para el progreso (Ludueña, 1971), La civilización está haciendo masa y no deja oír (Ludueña, 1974) and La pieza de Franz (Fischerman, 1974).

After Miguel Gazzera's death, his granddaughter Florencia discovers that people outside her family know much more about his story than she does.

In the middle of a mysterious insomnia epidemic that slowly takes on catastrophic dimensions, Laura (39) and Augusto (42) flee the city in their motorhome to get away from the chaos. As they move down the route, the world becomes an increasingly strange and dangerous place. Finally, Laura reveals a story that changes everything. The road is depopulating, the silence grows and it is increasingly difficult to differentiate the reality from the dream.

Operation Condor recounts the multinational scheme for the elimination of leaders of the South American left devised and executed by the dictatorships of the Southern Cone of America with the support and ideological inspiration of the CIA, which reached its climax in the 1970s. The Latin American military that They seized power and imposed on their peoples a regime of terror based on the disappearance of people, torture, murder and psychological warfare.

A Portuguese photographer, an architect and an emblematic building of the City of Buenos Aires, crossed by a common history, but at the same time particular. Segundo Subuelo is a documentary film about the obstinacy of memory, about the search for truth and about two characters traveling together a city with labyrinths that only they know.

Carmen fails to adapt to the world and society in which she lives. She worries about not having a partner. In a raffle he wins as a prize a week with all payment for two in Mar del Plata. She is willing not to go alone.

In 1969, the Epstein brothers founded a music house in the heart of downtown Buenos Aires. There they offered the best imported records and it soon became a sanctuary. Musicians like Claudio Gabis, Nito Mestre, Charly García, Andrés Calamaro, agree that it was the place of freedom and inspiration that they so needed. It was the time when the avant-garde of the Di Tella Institute was nourished by the incipient rock and art, causing an explosion in the middle of a society isolated and lethargic by the repressive state apparatus. El Agujerito tells the story of this iconic record store through archival material and testimonies.