A middle-class Italian family is tore apart when the father meets an old flame, the mother—a frustrated onetime actress—auditions for a play, their insecure son tries to make friends through drugs, and their underaged daughter—who has already figured out how to use sex to her advantage—does what she does best to appear on TV.
Amos, a watchmaker, loses his wife due to post-surgery complications. Destroyed by grief, he joins old friends Karl and Maner, former revolutionaries, to kidnap Prime Minister Ullmann, once their companion, to extort money from the state.
As a reinvention of the documentaries made by Pasolini, Vezzoli pushes the public of a fictitious italian tv program to talk about love and relationships
