A documentary about Squallor, Italy's first and most successful "ghost band" project, created by four big bosses of 70's-80's Italian music business.

A court takes 9-year-old Mario away from his abusive family and entrusts him to a childless couple. For the three of them, living together is difficult and often painful, since they come from two different worlds. To cope with loneliness and displacement, Mario creates his own world, where he meets Schad Sky, an imaginary friend.

A young priest crusades against organized crime in his Naples neighbourhood but falls in love with a 13-year-old boy. It's the chance the gangsters were waiting for to get rid of the thorn in their side. Will they be able to force the boy to accuse the priest of sexual harassment and have his reputation destroyed?

The aftermath of a rape seen through the parallel lives of the assailant and victim as they try to redeem and rebuild their lives respectively.

The title deliberatly recalls the famous L'oro di Napoli (Napoli's Gold) by Vittorio De Sica (1954). Alike De Sica's film here Naples is the real protagonist: Naples and its dust, not its gold. Through five episodes expressing different aspects of Naples, we have a picture of the town that doesn't belong to the postcard stereotypes...

The downfall of a powerful Mafia family by the hands of its young scion. Based on Aeschylus' tragedy, the Oresteia.

Five Neapolitan directors depict life in the city under the shadow of Mount Vesuvius for this anthology film of comedy, drama, surrealism, and political commentary.

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.

A despairing man murders his wife and his son on New Year's Eve before surrendering to the police. Placed in the custody of sexually abusive relatives, his only surviving child Vito is left free to roam the trash-strewn back streets of Naples where he and his friends engage in drug abuse, prostitution and petty crime.

Vittorio Zemeli is a man of about 60. He lives in an apartment in a grey building in a grey city center in Europe, crossed by a river. At the center of his house he leads a solitary life, with TV on continuously for company. One evening, like many other evenings, Vittorio sees an actor on TV identical to himself, while eating. The TV Victor kills himself. The next day Vittorio is anxious while on the way to work. Three friends surprise him and drag him into a popular restaurant in town for a birthday dinner. But the journey on the way back home will be one he won't forget.

Three chapters. Three generations. Giggino always running around, restaurant poet, small street thief. 50 years old. His father Antonio, a pensioner from Italsider and nostalgic of the old factory days and what represented. Expert and promulgator of Maradona’s deeds. 80 years old, maybe more. Finally, Marco, a deli shop boy, chasing a future but not knowing how. 18 years old. Around them a jungle of a very populated neighborhood, Bagnoli, in a great city, Naples. Where purpose was lost and a new one was not yet found.

Achille Tarallo is an absent father and an unhappy husband. He drives buses in Naples for a living but his dream is to be a great crooner. In the meantime he sings at wedding parties with his best friend Café, waiting for their band manager Pennabic to make them famous. One day, Achille falls in love with the new caregiver of his mother, a kind woman from Eastern Europe very different from his nagging wife Elide.

Anthology short film with segments by nine directors against Silvio Berlusconi and its Forza Italia party — released ahead of the 1994 Italian general elections, which Berlusconi nevertheless won in a landslide. In Nanni Moretti's segment, he and Silvio Orlando reprise their roles from The Yes Man (1991).

Based on actual events, this is the story of a young woman who meets the terrorist who murdered her father, a policeman, who died when she was just born.