Phil and Jay share more than a family bond - failed careers, failed relationships, bottomless drinks, and a debilitating memory of a shocking encounter in a ravine one childhood day. The pretext of being strangers, the darkly comic ritual that the broken, non-functioning brothers perform in an attempt to get at their pain, can't cover the palpable connection between them, nor their deeply felt desire to find redemption. An accomplished pianist, Jay is working as a piano player in a lounge. Mike, one of the bar's patrons, makes a request for Jay to play Maurice Ravel's "Pavane pour une infant defunte", which Jay refuses. This act masks an underlying secret both men share about their childhood.

On the eve of her 70th birthday, Canadian writer Margaret Atwood set out on an international tour criss-crossing the British Isles and North America to celebrate the publication of her new dystopian novel, The Year of the Flood. Rather than mount a traditional tour to promote a book's publication, Atwood conceived and executed something far more ambitious and revelatory--a theatrical version of her novel. Along the way she reinvented what a book tour could (and maybe should) be. But Atwood wasn't selling books as much as advocating an idea: how humanity must respond to the consequences of an environmentally compromised planet before her work of speculative fiction transforms into prophesy.