Marina, 23, is growing up with her architect father in a prototype factory town by the sea. Finding the human species strange and repellent, she keeps her distance...that is until a stranger comes to town and challenges her to a foosball duel, on her own table. Her father, meanwhile, ritualistically prepares for his exit from the 20th century, which he considers to be "overrated."

Seven girls, a mansion perched on a Cycladic rock, a cycle of lessons on discipline, desire and demise-infinitely.

At a Greek hotel in the off-season, a chambermaid, a man obsessed with BMW cars, and a photo-store clerk attempt to film and photograph various badly re-enacted struggles between a man and a woman.

Three young Brits have been hired by Mr Goodwin, the owner of a remote Greek island, to refurbish an old house. A surprise unsolicited visit to the island by a young Greek couple creates a rift, with far-reaching consequences.

This short piece by Athina Rachel Tsangari, commissioned for the seventieth edition of the Venice Film Festival in 2013, draws on Jean-Luc Godard's "Contempt" and functions as a meditation on the state of cinema, depicting two film projectors contemplating the uncertainty of their future.

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.