The life of fishermen and the structuring of the fishing industry in the region of Salgado Paraense.

Steamboat trip along the Purus River.

The importance of the Cannes Film Festival in world terms and what it represented for Brazil in 1971. For Brazilian cinema, Cannes 71 represented the transition from film to industrialized production. It is the meeting of producers, technicians, critics , celebrities in general, offering opportunities for greater knowledge and renewal of values

Brazil, 1988. An unemployed tractor driver hijacks VASP flight 375 and orders commander Murilo to crash the plane on the Planalto Palace to kill the president - whom he considers guilty for the country's devastating economic crisis.

Institutional film made for Petrobras in 1958, through a public announcement, about the company's actions for the training of technicians specialized in petroleum engineering.

At 91, TV news anchor Cid Moreira opens the doors of his house and to his unconscious, revealing surprising facets of the man who entered the homes of millions of Brazilians every night for 30 years. Brazil’s most famous voice narrates his own history, deconstructing his mythical image and guiding the spectator through a maze of memories. Archival remembrances and images trace a panorama of his life, which is tied to the history of Brazilian TV.

The impact of Ney Matogrosso's performances on his audience and the reverberation of that impact on Brazilian culture, from the second half of the 20th century to the present. An audiovisual anthology, all composed of archival images. The best way to get to know Ney is to be with him on stage.

Fourth chapter of the "Atlas", "The Crystallization of Brasília" explores the ideia of the future as a petrified past. In an accelerated geological time, centuries crystallize in a few months in the form of a city. This process is driven by the force of mystical rationalism, who has the power to embalm ideas and social structures so that they last forever.

In the early 1970s, the military dictatorship in Brazil reaches its height. The Paiva family - Rubens, Eunice, and their five children - live in a beachside house in Rio, open to all their friends. One day, Rubens is taken for questioning and does not return.