An all-enveloping darkness. Suddenly, a child's voice, frightened, questioning, pierces the darkness... The first flickering rays of light begin to sculpt mysterious shapes out of the darkness... Among them, a very old man. He reassures the child, exhorting him to see the wonders of the earth. And it is with this child's eyes that we will witness the creation of the world.

The film is the personal story of a protagonist of our times and traces Carlo Martini's actions and thoughts, as he has remained faithful to its vocation and ideals. Through dramatic events (terrorism, Tangentopoli, labor crisis, conflict, loneliness) Carlo Martini interpreted losses and concerns of the people, who saw a free man and a non dogmatic prince of the Gospel Church. Thanks to the authenticity of his testimony he has been a reference point for believers and non-believers, a prophet of hope, a forerunner of Pope Francis.

Ermanno Olmi has returned to documentary filmmaking and makes a journey through valleys, living rocks and the culture of the Valtellina hillsides.

The suicide of a prominent wine producer unleashes a series of mysterious murders.

A young man enters a brothel and sees a staged narration of a Chinese folk tale concerning a female pirate.

In the valleys of the Himalayas, an orphan boy saves a Bengal tiger cub from the ruthless poachers who killed the tiger's mother. Together they set out in the Himalayan mountains to the Taktsang monastery in Bhutan known as "The Tiger's Nest" where Buddhist monks took refuge after the 1950 Chinese invasion of Tibet and protect the big cats. A new great film for the whole family that talks about the importance of defending animals through the story of the friendship between two orphans, a tiger cub and a child, in a tale of brotherhood and the discovery of life.

Andreas Kartak, a homeless man living under the bridges of Paris, is lent 200 francs by a stranger as long as he promises to repay it to a local church when he can afford to. Kartak is determined to pay back his debt but circumstances, and his alcoholism, forever intervene.

An Italian professor seeks refuge in the quiet, peaceful ruins of an old building.

The arrival of an attractive young teacher in a small town in the Po valley disturbs the drowsy life of the place, leading eventually to a murder.

To avoid being sued, a film director reluctantly agrees to set up and direct the Good Friday celebrations in a small Tuscan town.

At 19, David has his diploma (the first in his family), a job at a car wash, and little else. His family is broke and argues constantly. So, unannounced, David leaves Turin for his uncle's farm in Polesine. Here he learns many life lessons over the course of a summer while hanging out with Bosnian drug dealer Alem and Patrizia, an older woman who's an addict.

Marco Paolini interviews Luigi Meneghello about growing up under fascism, his involvement with the Italian resistance movement, his later self-exile, acclaimed literary work and its relationship with dialect.

Marco Paolini interviews Mario Rigoni Stern about—among other things—his well-known experience as a soldier on the Eastern front during WWII, culminating in the infamous retreat of the Italian troops, the difficult reintegration into civilian life after the war, his relationship with his literary work and with his ancestral land, the Asiago Plateau.

Two deadbeat friends see the opportunity of turning their fortune around after they come into possession of a precious stolen relic, the tongue of St. Anthony of Padua.

Plagued by financial problems, ne'er-do-well Guido ends up in jail after faking an armed robbery at his workplace. A year later, just a few days before his release, he's forced by two dangerous inmates to take part in their jailbreak. On the run, Guido sets out to find his partner Antonella, who helped him with the robbery and still has the money.

Documentary about Medici con l'Africa CUAMM, one of Italy's foremost humanitarian NGOs to operate in Africa.

Giovanni, a married man with a child, meets on a train Maria, a former lover.

It tells the story of a general who is about to cut down an old forest for the sake of financial gain, but discovers that the forest is inhabited by invisible spirits

Lubo Moser is a jenisch, a gypsy. Mirana, who tried to oppose him, was killed. But how could this have happened? Why? Because Switzerland considers nomadism a social scourge, and, to eradicate it, it takes the children of the jenisch. Thus, without children, the Jenisch will be without a future. The mastermind is a state-run humanitarian institution, Pro Juventute, the arm the Street Children's Work: everything is perfectly legal and there is no opposition to the law. Lubo feels himself dying. And something about him really does die, on that night of wind and snow: it will be a new Lubo, tough and impenetrable, who will set up a project with unexpected implications to avenge his family and his people... and it will lead us to rethink the sense of justice, in the blurred boundaries between good and evil.

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.

In autumn of 1526, the Emperor, Charles V, sends his German landsknechts led by Georg von Frundsberg to march towards Rome. The inferior papal armies, commanded by Giovanni de'Medici, try to chase them in the midst of a harsh winter. Nevertheless, the Imperial armies manage to cross the rivers along their march and get cannons thanks to the maneuvers of its Lords. In a skirmish, Giovanni de'Medici is wounded in the leg by a falconet shot. The attempts to cure him fail and he dies. The Imperial armies assault Rome. The film is beautifully but unassumingly set, and shows the hard conditions in which war is waged and its lack of glory. It ends straightforwardly with the declaration made after the death of Giovanni de'Medici by the commanders of the armies in Europe of not using again fire weapons because of their cruelty.

World War I, Italian north-eastern front after the 1917 bloody battles on the Altipiano. A group of soldiers face the difficulty of war in a story that unfolds in the space of one night. Events follow one after the other without any kind of pattern: the peaceful mountains suddenly become a place where men die. But every story told in this film is a true story.

When a group of African immigrants builds a cardboard village between the pews of a church soon to be closed, an elderly priest must choose between his calling and his orders.

A film about the Swiss Italian poet Fabio Pusterla and his creative poetic process, his struggle to find an honest language, one which adheres to the personal experience and is able to unfold a hidden truth that creates a strong and profound bond with the other, with his public.

At the age of six, Dario watched the first moon flight on television. Since then, his dream has been to fly to the moon. For the past three decades, the ingenious but difficult by nature Dario has been building a moon rocket on his farm in the Veneto countryside. Rocket technology represents applied rocket science. Its systems are implemented on a do-it-yourself basis, and the components are obtained from the local hardware store. The initial launch of the rocket fails. The neighbor's cornfield burns down and Dario is arrested. When his Roman brother Mario hears about the difficulties that have arisen, he goes to his aid and Italy's secret space program finally gets going.

The film tackles the life journey of Toni Ligabue, visionary naïf painter who used to draw tigers, lions and jaguars while living among the poplar trees of the boundless Po valley. A harsh life that is a fairy tale too, as a lonely and marginalized kid finds redemption in his art, and a way to express himself and be admired by the world.

After a big fight, a couple wakes up with an unbelievable problem: he can't speak and she can't hear anything. Doctors and exams are useless. A female Zen Master and a very special plant come to their aid.

The Lightning Woman can move at supersonic speed and teleport, watching over the city and its inhabitants. But, to face everyday life, sometimes superpowers are not enough.

Giacomo drags his son to a club for the selection of a musical talent. Will he be able to move his son out of his own insecurities?

Marco Paolini discusses with poet Andrea Zanzotto about nature, history and language.

What is the "feeling" of a city? Is it the roads, the light that illuminates them, the people that live there and their stories? It's all these things, but also something else, something requiring time and attention to be understood. The film goes in search of this feeling exploring the city of Venice and its lagoon, prying into its less-known corners and listening to the stories of six citizens: a hotel waitress, an old archaeologist, a pensioner from Mestre, a painter/fisherman, an apartment burglar and a young boy.

Having discovered that his son will send him to a nursing home, an old professor (Marcello Mastroianni) converses with the memory of his late wife. She encourages him to tell his son that he is sad and fearful, and does not want to move. Recording of Marcello Mastroianni’s last stage project.

Italy, 1914. Two teachers take their pupils for a school outing from Bologna to Florence.

On an autumn night, in the deserted streets of a seaside town, Sara is fleeing from a party, convinced she has witnessed a murder. He finds refuge with Veronica, but does not know that the woman is the lawyer of an important industrialist, the alleged murderer.

A kid helps his troubled father to hunt a killer bear.