In wartime France, Pharmacist Eliane begins a torrid affair with her shop assistant Armand, but she soon becomes dominated by him. He demands more and more from her, humiliating her and putting her family at risk.

Mario is a Milan industrialist who is constantly testing balloons to see how much air one can take before busting.

Italian comedy film in three segments

The newly appointed head of a censorship board uses his uncompromising stance against everything "immoral" – from nudity in movies to nightclubs – to hide a rather unseemly double life.

Peppino Bardellotti, a widower, lives in Milan with his four daughters and ex sister-in-law Matilde, who urges girls to settle down by marrying a wealthy man.

When peasant girl Nives is deserted by smuggler Gino Lodi, she betrays him to the police. Police officer Enzo Cinti, who loves Nives, traces her to the Po River cane-fields, where she is working as a cutter to support herself and an infant son, and warns her that Gino has escaped from prison and is seeking revenge. She rejects his offer to protect her. Gino finds Nives, mourning the drowning death of their son. He surrenders himself to the police and then walks at Nives' side in the funeral procession.

Vivere in pace is a 1947 Italian comedy-drama war film directed by Luigi Zampa.

Directed by the incredibly prolific Mario Camerini, Suor Letizia was released in English-speaking regions as When Angels Don't Fly and The Awakening. In her first film appearance since The Rose Tattoo, Anna Magnani plays a feisty nun named Sister Letizia. Believing herself above such earthly trivialities as a maternal instinct, Sr. Letizia changes her way of thinking when an abandoned child is placed in her care. Unofficially adopting the boy, the good sister eventually comes to realize that even she cannot provide the care and guidance of a biological mother. Carefully constructed to accommodate all the surefire box-office elements inherent in Camerini's earlier films, Suor Letizia was almost guaranteed to be a hit.

A lonely teenage boy, living isolated on an island, idolizes his distant father. Complications arise when his father brings home a young new wife, whom the boy falls for, and a recently released criminal, entangled in a web of complex relationships.

Maria and Paul love them, but they are very young and, moreover, Maria is the daughter of the municipal sweeper while Paul is the lawyer Bonelli, vice mayor and head of the opposition. To complicate the story there is the reconstruction of a hermitage destroyed during the war. Reconstruction would take the view of the Paseroni villa, big industrial and political traffic. Bonelli's lawyer, a great speaker, becomes a mayor for the death of his predecessor and is bought by Paseroni, while rejecting the love of Paul and Mary for social differences and why Paul should stay behind Doddy Paseroni. At this point, Paul and Mary flee to kill, just as Bonelli has to hold a talk on the radio for the inauguration of Paseroni's villa ...

Lina, a young woman now tired of the constant betrayals from her husband, decides to cheat on him with a mutual friend, Piero.

In the most traditional Sicilian, a 18 year old is in full arousal. His relationship with breathtaking mature woman will create a great controversy in the retrograde Sicilian society.

A rowdy woman is so forceful that she outdoes her husband in a loud cry against speculators who refuse poor people entrance to a block of new apartments, built after WW2. Without noticing it, she starts a people's movement, and leads a march to the capital. She returns to her village a winner, an honourable MP. Yet, she is still the same simple, fiery woman, able to get in a hair-pulling brawl with the local barmaid for the affection of her man.

Attila, the leader of the barbarian Huns and called by the Romans "The Scourge of God", sweeps onto the Italian peninsula, defeating all of the armies of Rome, until he and his men reach the gates of the city itself.

A vivid assortment consisted of three acts taken from the lives of modern 1960s Italians, always in orbit around the restless theme of sexual inhibition and the pursuit of pleasure in sex.

Mario, a young philanderer, receives 13 antique chairs in a bad state by inheritance and decides to sell off them to get some money. Afterwards he gets to know that one of them contains documents worth a lot of money. So he begins an adventurous trip to regain possession of the chair. On the way he meets many strange people who would like to help or to swindle him.

The ever-growing popularity of Gina Lollobrigida was a decided box-office asset when the Italian La Provinciale was distributed to the U.S. as The Wayward Wife. Lollobrigida acquits herself quite nicely in the tensely dramatic role of a much-put-upon small-town girl named Cemma. Seduced by a lad who turns out to be a relative, Cemma is tossed out of her home. Seeking security, she impulsively marries bookish science professor Franco Vagnuzzi (Gabriele Ferzetti). Bored by her marriage, Cemma doesn't realize the true value of her loving husband until it's almost too late. The original 118-minute run time was reduced for U.S. release.

Two young sexually free hippies, Dick and Ingrid, finance their travels by selling naked snaps of Ingrid until their plan is brought to an abrupt end by the Police. Forced on the run the two seek refuge at a seemingly empty isolated large villa. As it turns out the house is inhabited by the middle-aged Barbara who invites them in for some potential three-way hanky-panky that soon locks them into something far more twisted and chilling!

An aspiring young artist breaks from his wealthy, possessive mother to live a bohemian existence in the artist's section of Rome and falls in love with a beautiful model who wants an uncommitted relationship.

Refugee Franca Gabre comes to the Po Valley with intent to use her obvious attributes and man-swaying talents to gain some security. She targets farm-owning brothers Riccardo and Carlo Sartori and uses the latter in an attempt to reach Riccardo, the older brother.

Wealthy teenager Guendalina is a child of divorce. Oberdan, likewise a teenager, is a boy from a blue-collar family. Escaping from the tribulations of her home life, Guendalina creates a dream world of her own, casting Oberdan as her personal Prince Charming. Despite parental objections, girl and boy fall in love. Interestingly enough, the relationship between Guendalina and Oberdan remains pure and chaste throughout their film, which is more than can be said for their parents. their respective parents behave with marked laciviousness.

Three tales of very different women using their sexuality as a means to getting what they want.