As MITZI BEARCLAW turns 25 years-old, she is faced with a tragic decision – stay in the big city to pursue her dream of designing hats or leave her boyfriend and return home to her isolated reserve to help care for her sick mother. Loyal to her family, Mitzi reluctantly returns to Owl Island to find that not much has changed. Her confidence and modern style clash with the sleepy, slow-paced island; the bullies are the same; the handsome HONEYBOY is still running the water taxi; and ANNABELLE, Mitzi’s mother is still as bitter and unloving as ever. She’s also reunited with her spiritual friends, FAITH, HOPE, and CHARITY who guide her as she navigates a year of anger, loss and love. Mitzi is soon surprised to find comfort in being home and starts to question her destiny.
Chaos ensues after the estranged patriarch of the Jones family dies on their doorstep. When the paramedic who answers their 911 call tries to win over acerbic Jean Jones, his attempts are disrupted by old conflicts that come to a boil at the funeral.
When an emotionally-fragile young woman takes a job as nanny to two troubled children at a remote summer cottage, she falls in love with the children's father, while becoming enmeshed in the mystery of their estranged mother - with whom, it turns out, the young woman has her own fraught history. As the summer progresses, she begins to suspect that the family has a dark history that they are desperate to keep secret.
In a small Saskatchewan town in the 1960s, Yvette Wong, a young girl of Chinese and Cree heritage, struggles with her Indigenous identity amidst family tragedy in this coming-of-age film directed by Mohawk artist and filmmaker Shelley Niro. Yvette’s mother, Katherine, discourages her from embracing her Cree identity, so she explores it in secret. As she learns more about herself and her Indigenous heritage, Yvette finds a friend in Maggie Wolf, who embraces being part Mi’kmaq and encourages Yvette to be proud of being Cree. When her classmates learn about her Cree ancestry, Yvette encounters the realities of being Indigenous, facing prejudice with pride and holding fast to her dream of becoming a doctor. Café Daughter is inspired by true events and based on Kenneth T. Williams’ play of the same name.
