In 1988, the indebtedness of the land adjudicators of the National Colonization Institute faced a controversial refinancing law that made their subsistence unfeasible. The settlers envisioned an opaque future in which the depopulation of the campaign was going to worsen with more emigration and with the disappearance of more rural establishments.

In the east of Uruguay there is a little-known region of vast wetlands in a beautiful natural setting which is a sanctuary for thousands of species of flora and fauna. Although it is officially protected, it is under threat from rice producers who are draining parts of the area.

Ten years after the Law of Expiration, this documentary analyses the historical background of Uruguay's recent past. It is a survey of the controversy stirred up in society by the fact that, thanks to this law, the armed forces personnel and police who committed crimes under the dictatorship (1973-1985) have gone unpunished, and it examines the scars the authoritarian regime left on a section of the population.

This is a marsh area in the very heart of the protected wetlands in the east of Uruguay, but today it has almost completely disappeared. A message in the Guaraní language, an "India Muerta" prayer, sounds the alarm about the dire consequences for nature of what human beings are doing.

The engineer Eladio Dieste, the most innovative architect in Uruguay, is interviewed by the architect Mariano Arana. He talks about the ethical responsibility involved in creating, the idea that the things that surround us should be beautiful, and how important it is to use our intelligence and creativity to produce original responses and generate our own ways of thinking.

A musician and composer who grew up in Tacuarembó, Eduardo Darnauchans, was one of the main creators of popular music in Uruguay. He was persecuted for political reasons from 1962 to 1984, and this documentary covers his life and work as a reflection of that troubled time.

This documentary examines the problems of Uruguay's Atlantic coast in the face of a scheme to exploit the area's tourist resources that is not geared to sustainable development.

A long interview with Uruguay's greatest writer, in Madrid a few months before his death. From his bed, Onetti talks about literature, creativity, and his origins.

The subject is women and their participation in politics, and this is used as a pretext for a humorous, provocative, female perspective on official (male) discourse and the almost nonexistent participation of women in Uruguayan politics.

This is the dramatic untold story of small farmers who suffer and struggle to subsist less than 80 kilometres from Montevideo. The reality of their daily lives is that the land is impoverished, middle men dominate the business, they cannot compete with firms that have new technology, and the market for their goods is small. They have to fight to survive in the wider context of the impact of regional integration - the Mercosur - and the world crisis that other countries are also going through.

Women in an isolated backwater in the countryside tell the story of how they live, and talk about their work in a cooperative that processes wool to make good quality clothing.

A ship, fifteen men, the river. A sensory film, a journey towards introspection. A portrait of loneliness, labour and absence, on board this floating society trapped in time. Could it be the reflection of our own « life on board »?

More than a film about football, this documentary is the portrait of a passion. Through several testimonies, what is shown is the feeling of the fan of Peñarol and what he is capable of doing for the team of his loves. From the largest flag in the world to the most spectacular receptions, including tattoos, anecdotes, promises and much more.

The vicissitudes of a musician fresh from prison that seeks to resume playing music with his band, the Chevrolés, whose members are scattered around the city, earning a living wage through various activities.

A description of the Montevidean promenade as a vehicular route and as a communal space.

A record of the works and reflections of this notable Uruguayan sculptor as a starting point to question the fate of art in our society, a question of how this artistic expression remains limited to a restricted area due to the lack of a true cultural policy.

Free adaptation of the story “Muebles El Canario” by Felisberto Hernández, with Leo Maslíah in the leading role.