The engineer MacAllan designs a tunnel, which will join America and Europe together on the seabed. A group of American billionaires are financing the gigantic project, but the construction of the tunnel is proving to be as tedious as it is dangerous. MacAllan's worst enemy is the speculator Woolf, who had embezzled the money for the construction and who is attempting to cover up his crime by carrying out acts of sabotage. Also filmed in 1933 in a French-language version, LE TUNNEL, and remade in 1935 in England as TRANSATLATIC TUNNEL.

'MP forces daughter to marry titled drug addict who dies when her lover tries to cure him.' (British Film Catalogue)

A melodrama about a painter who is infected with syphilis, refuses treatment, turns to the use instead of narcotics, and withers away.

At a hotel in a resort town in the Bavarian Alps, a retired district attorney from Chicago is shot dead. Crime reporter Peter Holm is on the spot and joins in the murder investigation.

Adaptation of a popular comedy: When the country uncle he has been bilking comes to town to visit, a young student takes him to a boarding house full of exaggerated eccentric characters.

A retired rail official and his wife Amalie purchase a disused railroad wagon to convert it into a villa in the countryside. One day, Amalie discovers 25,000 Marks hidden behind a picture in the rail car. The money was put there by a Dutch couple, who tried to smuggle the money across the border during the train’s last journey. Sorely tempted to keep the money, Amalie turns it over to the authorities. The smugglers, who finally find the rail car after a long search, will be turned over to the cops, too.

This is a real curiosity; at best a reasonable film, but also a charming little gem. There is a story (in the line of "A Star is Born"), but this merely serves as an excuse, as it is more importantly a kind of moving encyclopedia of about 35 stars making their debut in a talkie (although some of them had already made one talkie), of the technical sound possibilities and of film making. Besides all that, it is entertaining and sometimes hilarious and it has fine one-liners that split my side. The film is also remarkable for making mock of typical German film genres (like the overly sweet romances involving the military), of too heavy acting and of film making in general. I have to mention this one: a short, hysterically funny parody of "Der blaue Engel". What this film in fact says is: do not take any film too seriously. (J. Steed)

"The Fear of an Unfaithful Woman" - Inge Duhan lives with her husband, the lawyer Erich Duhan, and her little daughter Susi in Berlin. Inge is a very attractive woman. She loves her husband and has always been faithful to him. On a holiday trip to the French Riviera Inge meet the charming painter Francard. A brief affair begins that turns into blackmail.

Short by Phil Jutzi.

A comedy directed by Alwin Elling.

A young student, Stephan, inherits shares in a coal mine from his father. The mine is no longer profitable, and Stephan needs money to finance his studies, so he takes up work in the mine.

A traumatized man returning home from war discovers that his wife has slipped into the underclass.

"The Roman Banquet, the golden glories, the unrivaled luxuries, the wine, the dance, the song, the beautiful women, the sumptuous splendors that taxed a barbaric world for a night of feasting and revel-- Re-created for your entertainment in the most colossal drama produced", reads an ad in the Daily Argus of New York. Unione Cinematografica Italiana's lavish production of the oft-told tale stars Emil Jannings as Nero.

A group of 413 women answer an ad looking for British women to sail to and marry miners in Australia. One does not survive the voyage, and conflict arises over who will have to remain unmarried.

Georg Jacoby’s Jokeren is a light-hearted entertainment picture set during the carnival in Nice, a romantic comedy with a touch of melodrama. A young artist, fatally injured in a car accident, foolishly entrusts a batch of compromising love letters to Borwick, a crooked and unscrupulous lawyer, instructing him to destroy them. Instead, Borwick proceeds to blackmail the woman who sent the letters, Lady Cecilie Powder, married to the straight-arrow Sir Herbert Powder. Lady Cecilie gets help from her spunky younger sister Gill. In turn, she draws in Peter Carstairs, a debonair adventurer known to all as “the Joker” – the card that trumps all others. When the Joker repeatedly foils Borwick’s schemes, the crooked lawyer ups the ante, trying to incriminate his adversary Carstairs and expanding his demands to include marriage to Gill. But as the characters converge at yet another lavish carnival celebration party, it becomes clear that one card does indeed trump all the others: the Joker!

Paulus van Geldern is a lawyer who has made a name for himself as a criminal defense attorney, but is notoriously short of funds due to his unbridled passion for gambling. His gambling causes problems with his marriage to Martha who is thriving.