Following the events of the first part, Mansour Al-Hefni escapes from prison and reunites with his son Ali and brother to return to the island to recover what they have lost. Mansour must stand against his old love Karima while the leader of the travelers tribe Sheikh Jaafar enters the conflict for rulership

Laila is distressed by her mother's control over her life. When a family member dies, she travels with her mother to Alexandria to attend the funeral, then many comical situations occur during the presence of the large extended family, which consists of four aunts, their children, and their grandchildren.

Hiyam, a young factory worker, lives in a lower-middle-class neighbourhood, along with her co-workers. She is clearly under the spell of Salah, the factory's new supervisor. Believing that love can transcend their class differences, Hiyam relentlessly pursues a dream of the pair being together. However, when a pregnancy test is discovered in the factory premises, her immediate family and close friends accuse her of sinning. Hiyam decides not to defend herself and pays an enormous price in a society that fails to accept her.

Both Mahmoud and Zeinab join hands to search for the original version of the first Egyptian independent film that was made back in the 1980s, all copies of which were either destroyed or confiscated for unknown reasons by the government film agency, an entity that governed film production and distribution at the time.

Fajr is a famous temptation star, and the heroine of the first feature film of a young director. She rejects the kissing scene in the film, which provokes the director and the producer, and everyone tries to reach common ground to complete the film and get out of this dilemma.

Youssef and Alia, who were separated in their teenage years as a result of oppressive circumstances, before fate brought them together again after years of separation, and each of them took a different path in their lives.