As a young woman, Claire left her hometown in disgrace. Now she is old and unimaginably rich, as for the first time she returns. The town is nearly bankrupt and in urgent need of money. Everybody hopes Clara will come to the rescue. And she will. However, there is a condition: somebody must kill the man who was her lover all those years ago.

Retroband Evergreen's reunion party is ruined when Viktor, who was once the band's frontman, threatens to blow the house up for revenge of his sad destiny.

The first film in the Seto language in the world speaks about the brightest heroine of a small people, the folk singer Hilana Taarka, a woman who lived her whole life as an outcast in a small chimney-less hut; as an unmarried mother of children in poverty, begging her bread, doing odd jobs and singing. She always sang the truth, sometimes bitter, sometimes funny, sometimes cruel. She was feared, despised and coveted. Taarka sang throughout her remarkable life, throughout her fate, from a small Seto village to international fame. And she sang well. Really well. Taarka became the Mother of the Song, a legend. But as a woman, as a member of the community, the Seto people never really accepted her. Taarka - a despised woman and a worshiped singer.

Martin a boy with adjustment difficulties, moves with his mother to a new place. Martin has a habit of always getting into all kinds of trouble, and on the last day of school, everything goes wrong. Martin likes the school principal's daughter Marta, but the girl is also liked by the most popular boy in the school, Kevin, who has a fancy scooter. In his last trouble, Nitram, a charming wizard cat, comes to Martin's aid, who brings new adventures.

Follow up film to "Call-girl´s Christmas" captured four years prior by Artur Talvik and Rein Kotov. Kerstin, a prostitute portrayed in a blatantly natural-poetic documentary by Talvik-Kotov, has meanwhile been in prison for theft, then released and again called in front of the camera. A new person, perhaps, but still as skilled a manipulator of men as ever.

Two elderly people have decided to start having children. There was no time for this in their youth, they had to work hard to survive. Now, in retirement, nimble old people are making children for sale to spend the night with beer, cigarettes and cocaine. It is the year 2050. The third child of the elderly is about to be born and the selling price is rising. The moral and ethical categories have changed. An aging Europe needs children.

Imagine a mix of Repo Man, Oliver! and Pinocchio and you're on the road to grasping the tone of this bizarre Estonian take on Aleksey Nikolayevich Tolstoy's character Buratino, a wooden boy (or boyus woodenus, as the doctors in the film refer to him). Buratino's virginal mother wishes upon a star for a son and is immediately answered by what can only be called a rape-splinter. The woman gives birth almost immediately to her little wooden Buratino.