A strict and unapproachable father and his two sons live in a soon-to-be-renovated old house. The younger brother likes to tag after his older brother as if it was the most important task of his life. Day after day, they lived in calm peace, like nothing would ever change. It wasn't until a mysterious moment that happened one summer afternoon where things changed...
A film producer, an assassin, and a patriot. These aren’t three characters in this film but three ways of describing Wu Dun, a member of the United Bamboo Gang who murdered the Taiwanese-American writer Henry Liu and became a producer of wuxia films. Hsu Che-yu, who previously brought Single Copy (IFFR 2020) and Re-rupture (IFFR 2018) to Rotterdam, visits Wu’s abandoned studio to restage the events with forensic scanning techniques.
A dazzling and unconventional documentary where a filmmaker explores their first experience of great loss after her best friends Chun and Yueh go missing. Trapped in a cave in Nepal for 47 days, Yueh survives. Chun does not. Yi-Shan offers an intimate window into the complex relationship of survivors as she traverses the intricate terrain of grief and gender with Yueh. Their conversations are steeped in themes of guilt, perseverance, and identity as they navigate Chun’s legacy with ease, even as elders around them fail to acknowledge their friend’s queerness/transness posthumously.
