In 1947 by the Beskid mountains, the traces of war still linger, destroyed tanks dispersed throughout the farmland creating an eerie backdrop. This film follows a ten-year-old boy and the strange visions he encounters, his world of fantasy exacerbated with ample time, space, and a lack of companionship or guidance. We see the adults that influence and dominate his life, for better or for worse. Surreal and packed with an excellent study of human emotions and motivations compounded by their rural, isolated vacuum of a town, this is a timeless and severely underrated film from a brilliant Czech director.
A mysterious man named Michael Allan Jones arrives in Prague to search for his ancestors. Specifically, he is interested in the year 1611, when a meteorite allegedly crashed near Dobruška. The search for him is helped by nice writer Marcela, who writes a short story about this topic. He thinks it wasn't a meteorite, but a UFO. With her, Michael visits several Czech locations with a mysterious past.
Inseparable friends Štěpán and Kendy are students in their final year of high school. When they are in the principal's office after the trouble with the rather scandalous song "On the Carpet", the school principal gives them the idea of rehearsing a theater performance. They decide on Tyl's Forest Maiden in a rather unconventional version - with music, singing, and several unusual props. While Kendy sees the theater as not only an opportunity to enjoy himself, for Štěpán it is a chance to get closer to the charming Marcela Borůvková. What was originally just a student recession soon starts to get out of hand for both authors, not only because of the quirky cast but also because of information in the press, which is taken care of by the father of one of the classmates. The business is gaining in size, and even a television station is contacted, which shows an interest in making a program about the performance. At that moment, the disaster seems inevitable to Štěpán and Kendy.
Marta (Lucie Patikova) was blinded in an accident brought on by her careless and indulgent younger sister. Now in a school for the blind, Marta keeps up her hope that she will one day see again, mainly because her mother - out of good intentions - has led her to believe that the blindness is only temporary. Before long, Marta comes to realize that her condition will last until she dies, and she begins to despair, hating her mother for giving her false hope. Only a dedicated psychologist, Dr. Mos (Oldrich Navratil) seems to have the means of retrieving Marta from her depression.
