The last stretch of the Matanza-Riachuelo Basin, victim of possession, imposition and exploitation for several generations, acts as a spectator of its own history through three aspects: its colonization, its romanticization and its negligence. Throughout this sensitive and sensorial journey, the river connects with its roots, and with different views and aspects that converge in its current state.

Rosa spends her days between working at the dry cleaning shop and reminiscing about her childhood with her mother. One day, she sees on television that a woman from her neighborhood claims to have seen the Virgin Mary. From that moment, Rosa’s daily life becomes increasingly surrounded by religious symbols.