A young man and a woman on a boat.

Within four episodes ("Er am Ende", "Muss ich aufpassen", "Eva" and "Are You Lonesome Tonight?" ) are being told adventures of love sick Felix. On Sylt he meets two nymphomaniac women, in Hamburg he meets Eva, a girl who is even more love sick and later he meets Luci who gives him an indecent proposal. Thus he flees again...

After attending a wedding on a steamboat traveling down the river Spree, three friends from Hamburg become stranded in a newly reunified Berlin. They begin a restless odyssey through the wastelands of a metropolis wavering between an unpredictable future and a lingering past

"Frontalwatte" is like running against a hard wall and falling down softly. Franz, Adrian and Anastasia stumble through a pointless world. They kill time by viewing apartments, jaw operations, incest and poetry slams. Their search for identity becomes a search for the best fitting role.

Three women, three different stories, one room in a psychiatric clinic. A strong and tumultuous relationship erupts among them, evolving into an energetic, honest and erotic bond. This takes them to a point where their hopes may be fulfilled… in very different ways.

The film tells the story of Faust who unites with the devil in search of ultimate wisdom. He realizes too late, that winning Gretchen's heart with the devil's help means destroying her life.

Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.