A gang of young thieves try to rob a mob boss, but their heist is interrupted by an officer of the Tokyo Police Department's elite Zero Division. They get away with the loot, but the officer, a beautiful, more-than-slightly psychotic young woman who also happens to be an excellent shot, is tracking them down. To bring the case to a successful conclusion, she must deal with rival crime gangs, small- time crooks, and the wavering loyalties of her own partner.
At the beginning of the Showa era, a man who was captivated by a girl he saw through a telescope locked her in a "painting". Visualization based on Rampo's "Oshie and Traveling Man". Released in 1994 to commemorate the 100th anniversary of Rampo's birth.
Jigoku-gokuraku-maru is a samurai on the run. One bounty hunter hoping to collect the sizeable reward is Teppo Oyuri, a comely lass who is an ace shot with her pearl-laden pistol. Before she can set her sights on Jigoku-gokuraku-maru, he is attacked by a hoard of sword-wielding thugs also hoping to collect the reward. He dispatches them with bloody aplomb. Later, Jigoku-gokuraku- maru and Teppo Oyuri -- who has fallen for the master swordsman in spite of herself -- ventures to Zipingu -- the Land of Gold -- in search of a magical gold sword.
Two brothers, Jinta and Wataru, are raised in a travelling circus. After an accident, Jinta decides to leave the circus and travels the countryside working as a con-man. After a run-in with a local gang of yakuza, he is invited to join their ranks, where he makes the mistake of falling for a boss's mistress. Wataru stays with the circus and works hard to regain its former glory
Commentary: The first work in the "Asian Beat" series, in which young directors from six Asian countries, including Japan, compete to create the same protagonist (Masatoshi Nagase). The main character "TOKIO" becomes involved in various incidents when he meets Banana, a Filipino girl who is a terrorist and holds top-secret information that will shake Japan. This work depicts the appearance of TOKIO and his escape from Japan.
Amidst the swirl of Tokyo's seamy nightlife of designer drugs, casual sex, and American slang, Zhou turns 30. It's a spiritual crisis for this Chinese immigrant who quotes Confucius, this Lothario and con artist who fences stolen goods. He falls for Kyōko, a seemingly shy provincial woman looking for the man who jilted her sister.
A young girl, who lost her father at her early age, is kidnapped by a school teacher. He strips, binds and attempts to rape her. For the next few days she tries to escape but in vain. Later, she becomes used to the life with him. Even when she has a chance to run, she chooses to stay. Slowly, their relationship becomes a creepy half-paternal, half-romantic liaison.