This is the last of the infamous German "Schoolgirl Report" movies. The story involves a bunch of teenagers and their teacher rehearsing "Romeo and Juliet" and discussing tales of modern love.

A mysterious serial killer is shocking the underworld. Scotland Yard is investigating the case. Clues lead the detectives to Blackwhite Castle.

A crime comedy directed by Thomas Engel.

Another Ernst Hofbauer schoolgirl exploiter in the same vein as his Schoolgirl Report films, but for this one he raised the sleaze level to new heights with non-pornographic scenes of rape, pedophilia, satanic rituals, virgin sacrifice and golden showers. Despite how it sounds, these acts are played for silly comedy rather than any harsh depictions.

Johanna has lost her savings book. Can the finder now withdraw the money? How secure is a savings book and what advantages does it offer the owner? What does the bank actually do with the money while it has it in safekeeping?

Mockumentary about German schoolgirls openly talking about their scandalous sexual experiences. Some of these are illustrated through inserted vignettes. Also, a street reporter asks actual common folk about their views on sex.

One of the many German "report" sexploitation films from the early 1970s, with the only distinction that it focuses on female apprentices instead of schoolgirls.

A department manager has to defend himself in court against charges of harassment in the workplace. Looking back, he describes his tough day at work to the judge.

Sex comedy about lonely housewives and their activities while the husband is away. It’s a series of vignettes connected by documentary-style interviews with people on the street. The eroticism relies completely on nudity, not altogether different from British sex comedies of the era.

Part satire, part drama, this movie tells the story of Anton Paulisch (Herb Andress), who has been living and working as an actor in Rome. When he hears that his mother is mortally ill, he returns to Munich to be at her bedside, but doesn't quite make it. He and sister Astrid (Elke Haltaufderheide) rediscover their friendship, though, as they go through a number of crises. Meanwhile, Anton makes an effort to find work in Munich, and runs headlong into the silliness and pretensions of the "New German Cinema" movement.

Vienna: Wedding dreams draw Adrian, the rich son of a Hamburg merchant dynasty, to Vienna. His chosen one is a countess whose parents pretend to be rich but are in fact desperately poor. The meticulously planned wedding intrigue culminates in a duel to which Adrian is challenged by his bride's brother. Adrian is shot and left dying to the vultures, but is fortunately found by Josefine and her friend Zenzi. With their charm, the two whores persuade a doctor to operate the bullet out of the unknown man's chest and nurse him back to health. Especially the erotic stories Josephine told Adrian to keep him alive after the operation fascinated the latter. And he develops a plan to take revenge on the family of his chosen one. Adrian decides to introduce Josephine and Zenzi to the finest Viennese society

Documentary drama about the Swiss journalist Otto Pünter, who maintained an anti-fascist information office in the 1930s and 1940s.