Thiago lives with his family on an isolated farm in the arid backlands of Minas Gerais, Brazil. As the story unfolds and Thiago is forced to confront separations and betrayal within the home, Thiago begins, little by little, to see and understand a place that he had never been able to before, thus slowly letting go of his innocence.

A filmmaker questions her own national identity.

In the capital of Ceara, Iracema is the name of many women. It is the name of schools, guesthouses, bakeries, laundries, steakhouses, Iracema is the name of beaches.

The documentary closely follows the turbulent months of the electoral period that culminated in the invasion of the National Congress, the Planalto Palace and the STF on January 8, 2023.

A wealthy middle-aged woman unexpectedly finds herself caring for two impoverished young siblings, in this subtle, touching and sincere study of class disparity from Brazilian filmmaker Sandra Kogut.

Captures the tenacity and diversity of Angolan society. Beginning with a brief history of Angola's war for independence from Portugal, the documentary's up-beat pacing provides an engaging overview of Angola's social and economic landscape. City life, music, the economy, rural communities, and the effects of civil war and apartheid in neighboring South Africa are covered using scenes of every day life in Angola and commentaries from Angolans themselves.

Over a trio of summers, a caretaker for luxury condominiums relies on her resourcefulness and her eye for opportunity to take advantage of whatever comes her way.

In the suburbs of Rio, the everyday life of T.B., a young woman who can't make up her mind whether to stay or to join her sister who lives elsewhere.

Short film about the fable of a young shepherd who had disappeared and the girl who followed him in the forest, told by French villagers in the Pyrenees. Each version told reveals the universal fascination of the novel and the unattainable. This film plays with the taste that some tourists have in searching for legends in mythical places, criticizing the authenticity of the facts as they are being told.

Individual, anonymous 30-second statements filmed in video camera-equipped booths set up at different locations in the city of Rio de Janeiro. No specific questions were asked; participants expressed themselves freely on assorted topics.