Marina, 23, is growing up with her architect father in a prototype factory town by the sea. Finding the human species strange and repellent, she keeps her distance...that is until a stranger comes to town and challenges her to a foosball duel, on her own table. Her father, meanwhile, ritualistically prepares for his exit from the 20th century, which he considers to be "overrated."
A nurse, a paramedic, a gymnast and her coach offer a service for hire wherein they stand in for dead people by appointment, hired by relatives, friends or colleagues of the deceased, to assist with the grieving process.
Two sisters, Anna and Melina spend the last days of the summer in their vacation house outside of Athens. Anna is having a party to celebrate her birthday and her passage to adulthood. Soon she will be off to college leaving her little sister behind. She has invited Maria, her crush, to spend the day with her by the pool and organise the party. Melina obsessively loves and admires her older sister and wants badly to be part of her world. She is not invited to the party. But she sets her mind to it, making this night for her sister a bloody night to remember.
In the middle of the Aegean Sea, six men on a fishing trip on a luxury yacht decide to play a game. During this game, things will be compared. Things will be measured. Songs will be butchered, and blood will be tested. Friends will become rivals and rivals will become hungry. But at the end of the journey, when the game is over, the man who wins will be the best man. And he will wear on his smallest finger the victory ring: the Chevalier.
It has been nine years since we last met Jesse and Celine, the French-American couple who once met on a train in Vienna. They now live in Paris with twin daughters but have spent a summer in Greece at the invitation of an author colleague of Jesse's. When the vacation is over and Jesse must send his teenage son off to the States, he begins to question his life decisions, and his relationship with Celine is at risk.
Anna arrives in a remote area on the city border. A public telephone booth stands there as the last totem on earth. This is the official city limit. Anna plans to escape. But when the well-trained phone operator at the end of the line grows suspicious of her, Anna realises that the clock is ticking at her expense.
When Jonny visits his father Nikitas in his cabin in the woods after 20 years, the hermit ignores him. But to prevent the muddy ground from being pulled out from under their feet for reasons of profit, father and son must dig deep into it...
This short piece by Athina Rachel Tsangari, commissioned for the seventieth edition of the Venice Film Festival in 2013, draws on Jean-Luc Godard's "Contempt" and functions as a meditation on the state of cinema, depicting two film projectors contemplating the uncertainty of their future.
Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.