A twenty year old boy Manu, who dreams of joining the Indian Army, ends up joining Maoists because of a dubious job agent, who manipulates Manu that the government is awarding jobs to the Maoists who surrender.

A young, beautiful and rich girl, Dimpy Singh, approaches Samrat Tilakdhari, a private investigator, with a strange case. Their garden got ruined for reasons that appear natural but are not known; leading horticulturists have examined the fading plants but they have not been able to identify the probable reason. Further, her father's favorite horse died; once again the reason for the pre-mature death remains a mystery. That's not the end; Dimpy's father Mahendra Pratap Singh, otherwise a very strong and balanced man, has been experiencing deteriorating health. All these aspects when combined makes the case sound weird and that grabs the attention of Samrat. Samrat along with his assistant friend, Chakradhar Pandey, visits the huge estate of Mahendra Pratap Singh. As he starts investigating, he discovers lots of mysterious facts.

When two prized jackfruits disappear from a politician's garden, a spirited cop's investigation takes an unexpected turn as she digs for the truth.

A man shares some lazy memories about his friend, Manek Mulla, who had a knack for telling stories. On this particular afternoon, Manek narrates a 'unique' love affair with the help of different stories, various characters' point of views and the social relevance of these stories. As these stories proceed, reality mixes with fiction.

Hawayein is a film which emerges from the consequences of the BlueStar Operation and is based on the aftermath of India’s Prime Minister, Mrs. Indira Gandhi’s assassination in 1984 – the 1984 Sikh genocide in Delhi and other places in India, and the subsequent victimization of the people of Punjab in the years that followed. This film depicts real-life events and most of the situations shown are authentically seen through the eyes of the central protagonist "Sarabjeet". It is the story of his journey from innocence to disillusionment, from being a simple, music-loving student to becoming one of the most wanted terrorists in the country. This film is an honest exploration of the reasons which led to the angst of the youth of Punjab and the turmoils suffered by their families.

Mammo is an account of a certain period in the life of Riyaz, a teenager who lives with his grandmother Fayyazi as they get a visit from his grandma’s sister Mehmooda Begum Anwar Ali, commonly known as ‘Mammo’.

Mumbai, 1992. Naseem, a 15 year-old schoolgirl, lives with her grandfather and grows up with stories of pre-independence communal harmony. Later, she helplessly watches the communal situation regression with the demolition of Babri Masjid.

Meera and Arjun are professionals living in Gurgaon. On their way to a luxurious desert holiday they stop on a Highway dhaba for dinner, where they witness a young girl being picked up by a bunch of hoodlums. Arjun chooses to step in, unmindful of the danger ahead.

When his father is lynched by a mob after being framed by a gangster, a young boy leaves his village along with his pregnant mother and flees to Mumbai. He takes up a life of crime and swears to avenge his father. A remake of the 1990 film.

Mahadev (Shreyas Talpade) is an unemployed graduate with a Bachelor of Arts from Satna college, who is forced to make a living writing letters for the uneducated people of his village. His real ambition is to become a novel writer. Through his humble occupation, Mahadev has the potential to impact numerous lives. The movie is a satirical, but warm-hearted portrait of life in rural India.

Zubeidaa, an aspiring Muslim actress, marries a Hindu prince to become his second wife. Her tumultuous relationship with her husband, and her inner demons lead her to a decision which has fatal consequences for them all.

Shanichari is a beautiful girl born in lower cast and her life is full of sufferings because of lower cast, poor finances, lost parents, drunken husband, mischievous son. The title refers to a custom in some parts of Rajasthan—where aristocratic women were long kept secluded and veiled—of hiring professional women mourners on the death of a male relative, a rudaali (pronounced “roo-dah-lee”—literally, a female “weeper”) to publicly express the grief that family members, constrained by their high social status, were not permitted to display—or at times, perhaps did not feel. Underwritten by the National Film Development Corporation (NFDC) and Doordarshan (Indian national television) and based on a short story by famed Bengali author Mahasweta Devi—whose tales often focus on the travails of low-caste women.

Celebrities arrive at an extravagant party in Bombay to honour Divakar for his contributions to arts and cinema. However, gossip, uninvited guests and a dead body show up to mar the celebrations.

A traumatized child becomes a political activist but agrees to become an assassin upon being captured.

Karan gives in to his Father's wish, breaking up with his child hood crush Natasha and gets married to Anjali. Anjali with all the commitment a traditional Indian girl has, begin to build Karan's world but despite of all her goodness, Karan feels no attachment to her and eventually confess that he doesn't wish to be in this forced marriage. Anjali learns of Natasha and decides to step off calling her trust worthy friend Vinod. In the tale of relationships, trust, devotion and sacrifices all the four characters finally gets to achieve what was right for them.

The film is a poignant father- son story set in Ujjain. Inspired by true life, it deals with the sensitivity of unemployment, the selfless love of a father, and the behaviour of a selfish son, with quirk and humour.