This is a scar born from a knife strike in the back of the young Mizoguchi, coming from an enamoured jealous prostitute. This event enabled him to become the great cineast of women, and much more !

In 39 interviews with actors and actresses, writers, producers and staff members, interspersed with film excerpts and stills, Shindō recounts the life and career of his friend and mentor Mizoguchi.

In medieval Japan, a woman and her children journey to find the family's patriarch, who was exiled years before.

When the wife of a 17th century Kyoto scroll-maker is falsely accused of having an affair with his best employee, the pair flee the city and find themselves falling for one another.

In 16th century Japan, peasants Genjuro and Tobei sell their earthenware pots to a group of soldiers in a nearby village, in defiance of a local sage's warning against seeking to profit from warfare. Genjuro's pursuit of both riches and the mysterious Lady Wakasa, as well as Tobei's desire to become a samurai, run the risk of destroying both themselves and their wives, Miyagi and Ohama.

A classic melodramatic love tragedy addressing social inequality in Taishō-era Japan, The nostalgic scenes of 1920s Tokyo provides a valuable visual experience set against the background of the title song, "Tokyo March." (Sadly, less than a half hour of the footage has been recovered and restored.)

The lives of five prostitutes employed at a Japanese brothel while the nation is debating the passage of an anti-prostitution law.

In Edo Period Japan, a noblewoman's banishment for her love affair with a lowly page signals the beginning of her inexorable fall.

Shinnosuke is introduced to Shizu as a prospective marriage partner, but he falls in love with her widowed sister Oyu. Convention forbids Oyu to marry because she has to raise her son as the head of her husband's family. Oyu convinces Shinnosuke and Shizu to marry so that she can remain close to Shinnosuke.

A young woman takes up her new job as the servant of a noblewoman and soon discovers that underneath her facade of luxury lies great unhappiness.

The stage director Shimamura, who is bringing western theatre to Japan, falls in love with the outspoken actress Sumako Matsui, and leaves his family to be with her, while trying to keep his Art Theatre solvent.

In late 19th century Tokyo, Kikunosuke Onoue, the adopted son of a legendary actor, himself an actor specializing in female roles, discovers that he is only praised for his acting due to his status as his father's heir. Devastated by this, he turns to Otoku, a servant of his family, for comfort, and they fall in love. Kikunosuke becomes determined to leave home and develop as an actor on his own merits, and Otoku faithfully follows him.

Ayako becomes the mistress of her boss so she can pay her father's debt and prevent him from going to prison for embezzlement.

When a civil war threatens to break out, two geishas flee from their village with aristocrats. During the long journey, the socially inferior women prove to be morally superior to their betters.

The Morning Sun Shines is a fiction-documentary film by Kenji Mizoguchi and Seiichi Ina. The film is a combination of a drama about a reporter, and documentary footage about newspaper production. Only 25 minutes of footage has survived.

Eiko seeks out Miyoharu, a geisha, and asks to be her apprentice. When she is ready to receive clients, both women want the right to refuse certain men.

Yukiko's fiance learns her mother runs a geisha house and ends their engagement. She despises what her mother does until one of her clients shows interest and starts to woo her.

In 1701, Lord Takuminokami Asano has a feud with Lord Kira and he tries to kill Kira in the corridors of the Shogun's palace. The Shogun sentences Lord Asano to commit suppuku and deprives the palace and lands from his clan, but does not punish Lord Kira. Lord Asano's vassals leave the land and his samurais become ronin and want to seek revenge against the dishonor of their Lord. But their leader Kuranosuke Oishi asks the Shogun to restore the Asano clan with his brother Daigaku Asano. One year later, the Shogun refuses his request and Oishi and forty-six ronin revenge their Lord.

Set in post-war Japan, The Lady of Musashino tells the story of Michiko, a disillusioned young woman trapped in a loveless marriage. She confides in her younger cousin, Tsutomo, and the two become close, but decide not to consummate their affair. He instead becomes involved with the flirtatious Tomiko, who is also conducting an affair with Michiko's husband. When Michiko finds that her husband has abandoned her, she decides to take her fate into her own hands.

Japan, 1137. The Taira family, a samurai clan, becomes involved in the disputes between Emperor Toba and the monks of Mount Hiei.

When Ochika, from a rich family, marries Danpei, a poor Shamissen player, she devotes herself completely to him and takes over her business, to the point of sowing dissensions within the Jōruri troupe in which her husband plays. Considered a lost film.

Based on Matsutaro Kawaguchi's novel "Geido Ichidai Otoko." Considered a lost film.

In eighth century China, the Emperor is grieving over the death of his wife. The Yang family wants to provide the Emperor with a consort so that they may consolidate their influence over the court. General An Lushan finds a distant relative working in their kitchen whom they groom to present to the Emperor. The Emperor falls in love with her and she becomes the Princess Yang Kwei-fei. The Yangs are then appointed important ministers, though An Lushan is not given the court position he covets. The ministers misuse their power so much that there is a popular revolt against the Yangs, fueled by An Lushan.

Umekichi, a geisha in the Gion district of Kyoto, feels obliged to help her lover Furusawa when he asks to stay with her after becoming bankrupt and leaving his wife. However her younger sister Omocha tells her she is wasting her time and money on a loser. She thinks that they should both find wealthy patrons to support them. Omocha therefore tries various schemes to get rid of Furusawa, and set themselves up with better patrons.

In early post-war Osaka, three women, war widow Fusako, her sister Natsuko, an expatriate from Korea, and Kumiko, Fusako's sister-in-law, descend into prostitution, all for their individual reasons.

The first of five Musashi series, Shinobu and her brother Genichiro plead with the famous swordsman Musashi Miyamoto to teach them swordsmanship to avenge their father's death. The killers of their father see the sister and brother practicing with Miyamoto, and so enlist the help of another powerful swordsman, Kojiro Sasaki, which gives Sasaki an excuse to battle Miyamoto.

Utamaro, a great artist, lives to create portraits of beautiful women, and the brothels of Tokyo provide his models. A world of passion swirls around him, as the women in his life vie for lovers. And, occasionally, his art gets him into trouble.

While returning by boat to Japan, Yoshie Fujiwara meets a rich woman who suggests him to become a singer thanks to an impresario friend of hers.

A woman's struggle for equality in Japan in the 1880s. Eiko Hirayama leaves Okayama for Tokyo, where she helps the fledgling Liberal Party and falls in love with its leader Kentaro Omoi, just as the party is being disbanded by the government.

Kenji Mizoguchi is credited as “supervisor” on this rare Japanese genre film, which stars the stunning Isuzu Yamada (Osaka Elegy, Throne of Blood) as a professional criminal, part con woman and part martial artist, who falls in love with a young man from the straight world.

In Tokyo, Osen is the servant girl of an unscrupulous antiques dealer, Kumazawa, who takes in the penniless Sokichi Hata. Kumazawa mistreats Sokichi and Osen, while swindling some Buddhist monks out of their temple treasures. When Kumazawa is arrested, Osen agrees to help Sokichi finance his dream of going to medical school. They live in a humble room, and eventually the only way Osen can find enough money for them is to prostitute herself during the day, without Sokichi knowing. (Will Gilbert)

Kiyone Sakurai, an apprentice swordmaker makes a sword for his guardian, Kozaemon Onoda. Onoda breaks the sword while defending his lord which eventually leads to his death at the hands of Naito, when Naito demands to marry his daughter Sasae. Sasae vows to avenge her father's death and pleads for Kiyone Sakurai to make a special sword for her. So Kiyone and his fellow swordmaker Kiyotsugu go to the master swordsmith Kiyohide Yamatomori to learn their craft and forge the sword. - Will Gilbert

An adaptation of Anna Christie, considered lost.

Based on Soseki Natsume’s 1908 novel of the same title, Poppy is an ornately complicated story of desire and ambition. Fujio is beautiful, talented, well-heeled, and engaged to Munechika, a rising young diplomat. She has promised him a gold watch, a family heirloom, as an emblem of their engagement. But she falls in love with Ono, a student employed to tutor her in English, who is attracted by her beauty and wealth. Ono is himself bound by an engagement to Sayoko, the daughter of his mentor, Professor Inoue. The self-centered Fujio is ready to forsake everything for Ono, but he is prevailed upon to go ahead with his marriage to Sayoko. Fujio then offers the watch to Munechika who, perceiving Fujio’s true feelings, hurls the watch into the sea.

A village romantic drama. (Now lost.)

Mizoguchi’s 30th film is the earliest surviving example of his work, and his only film of the 1920s to survive complete. Song of Home finds the director already concerning himself with the collision of traditional and modern values. The film is structured around the contrast of two country-bred boys: a coach driver who has never left his home, and a student who returns from Tokyo with city-slicker affectations and Western jazz records. Produced by the Ministry of Education, the film has a simplistic lesson-plan at its heart, but what lingers in the mind after viewing are its more ineffable qualities: The dulcet, lyric, evocation of a disappeared rural past.

An Expressionist film about masses downtrodden by authoritarian capitalism. (Now lost.)

Taki no Shiraito is a very independent young woman with a famous water juggling act in a travelling carnival troupe. She falls in love with an orphaned carriage driver Kinya Murakoshi, and pledges to put him through law school in Tokyo. She always encloses money in her letters to him, until one hard winter there is no work to be found.

A story of a servant girl whose life is upturned by her doomed love for a spineless young man.

Tōjin Okichi is a 1930 film by Kenji Mizoguchi based on the novel by Gisaburo Juichiya. Only 4 minutes have survived. The fragment has been published on DVD coupled with The Downfall of Osen (1935) by Digital MEME in 2007.

Representing a destitute mother in an infanticide trial, a female lawyer attempts to convince a conservative prosecutor of the benefits of Japan's democratized post-war legal system.

Directed by Kenji Mizoguchi. Released in 2 parts. His only release of 1931. Considered a lost film.

The tragic loves between a member of the Liberal Party, imprisoned following the Chichibu incident in November 1884, and an actress who resolves to prostitute herself to help him. Considered a lost film.

Otane, the daughter of a thread shop owner in Ryogoku, is in love with Sumio, the son of an ivory craftsman who lives nearby. The two are united in a tatami room on the second floor of a soba restaurant. Soon Sumio goes to study in Paris, but during that time Otane realizes that she is pregnant with Sumio's child. Considered a lost film.

A young woman seduced by a rich man, takes revenge on him with the help of a young idealistic worker. Considered a lost film.

The curse of a jealous woman destroys lovers on the run. Considered a lost film.

A lost film directed by Ushihara Kiyohiko based on a story published in the Mainichi Sunday Newspaper entitled '恋女扇.' It stars a wild man who falls passionately in love with a woman.

Shizuko hesitates between two suitors. While the one she marries commits suicide following a scandal, the other refuses to marry out of love for her. Considered a lost film.

Hisshoka is a 1945 Drama film directed by four Japanese directors.

A sad love film where the action takes place in Kyoto, in a trading house. Considered a lost film.

An old potter despairs of having only two daughters and no son, hoping his apprentice will one day bring him an heir. The apprentice meets the eldest daughter but is disgusted by her. He decides to marry the younger daughter, who is in love with another man. Considered a lost film.

A poor peasant, after years of scraping, becomes a rich and powerful Osaka merchant. Mizoguchi Kenji's final project; he died before completing it and directing duties turned over to Yoshimura Kozaburo.

A Japanese silent drama about two farmers

Propaganda film, presumed lost.

A lost Mizoguchi film.

One of Mizoguchi's first films, considered lost.